exonumia

I have no story about this word other than it’s completely new to me and fun to say.

Siege #2

I haven’t been an “event” person in years (even though I have every issue of the much-maligned “Final Crisis”) mostly because I find them to be more con than content. While hyped to be huge and meaningful, events aren’t usually that impacting, and, worse, they’re horribly written and poorly plotted.

Having said that, I loved Siege #2!

While the content is on the light side (the majority of the issue focuses on Ares and his ill-fated battle with Sentry), the more mundane scenes – particularly between Nick Fury and Alex, the Avengers in the S.H.I.E.L.D. transport, and the last page of the issue – are well-written and give more weight to the story than “superpower-on-superpower action” and “the Saint Crispin’s Day speech”. But, I’m a moments guy.

Coipel, Morales and Martin are a cyclonic artistic force. While Bendis’ words may have been handled well enough by another team, this one breathes life into each panel with its dynamic compositions and expressive faces. Even the capes are expressive and full of movement. The best example of this is page three – Ares’ realization that he’s been manipulated into attacking Asgard juxtaposed with the battle below is brilliant. Without words, without mummery, the reader knows exactly what is going on under the god’s helmet. Great stuff! However, the rending of Ares on a later page, while arranged beautifully, is odd in that his intestines seem to have been previously resting on his back, protecting his spine. Gory, yes, but inaccurate overkill at best.

My one complaint is the half-truth of the “death of an Avenger” solicit. It was sophomoric hype at best. You can do better, Marvel.
Grade: A-

Hey! If for no reason in particular, you might be thinking, “I want to get Sean something special, but, what? Whatever could I get him?” You might want to consider this, the RENT, Roger Davis bear from Broadway Cares/Equity Fights AIDS:

And he comes with all this cool stuff:

Roger wears an exact duplicate of his Broadway costume. First seen at the top of ACT II during the emotionally charged “Seasons Of Love”, this faithful re-creation consists of Roger’s black and white geometric-print sleeveless button down shirt, straight leg pin-stripe pants (both cut from the cloth of the original costumes), green hand-knit scarf and black leather biker jacket with the portentous and tragic hand-painted “Only Good Die Young” logo on the back. His brown leather “New Rock” boots have been eternalized in miniature form, and his grunge-cut, frosted blonde wig has been perfectly styled. Finally, Roger comes with his very own (working!) acoustic guitar and stand, which will certainly help as he finds “…the power to ignite the air” and write his “One Song Glory”. Once he looks into “Your Eyes” you’ll know that he can’t live “Without You”!

Included in this lot is a hand-signed “eviction-notice” prop from the 2005 film RENT, signed by Anthony Rapp and Adam Pascal as well as a set of Roger’s “old rock and roll posters, advertisting gigs at CBGB’s and The Pyramid Club” used in the final days of RENT’s Broadway run.

Did you see that? SIGNED BY ANTHONY RAPP AND ADAM PASCAL!!!!

All the iconic Broadway Cares bears up for auction can be seen here. All proceeds go to help people living with AIDS.

Thanks to Joe Jervis!