It was a very sparse week for comics; I got the first issue of the new Doom Patrol series (ugh), and didn’t give Buffy the Vampire Slayer more than a glance as I thought, “I’ve been burned by you before!” Click in the report card below to see my (and others’) reviews this this week’s comics:
Uncanny X-Men #513: Oh, Scott. Did you not see this coming? I mean, did anyone not see this coming from the moment that Scott and Emma started banging psychic uglies? I’m just surprised that it took this long for Emma to take over the X-Men and reform them in her image. However, as stupid as this makes all the X-Men look (except Jean, but she’s dead), it’s GREAT drama. However, it will not be great drama if Matt Fraction does something silly like make Emma a double agent so she can be seamlessly reunited with the X-team. I want Emma back on the outs and being fabulously evil, the idiom in which she excels. Emma out; Cloak and Dagger in! A
Batman and Robin #2: So far, so good. GMo hasn’t gone looney tunes and taken Batman back to… well, R.I.P., though he’s very good at channeling his eccentricities into the undisciplined and dangerous Damien. In this issue we see what makes Dick not Batman – all those years of not wanting to be like him finally paid off, and Dick, while a great fighter, doesn’t command the respect and awe of those around him, especially Robin. Yes, this is the “kinder, gentler” Batman, and I hope Dick quickly figures out that is just not who he has to be. I think GMo is exactly the right writer to break Dick down and maybe build him back up. We know how he likes his heroes damaged. Bye, Dick. It was nice knowing ya. A
Buffy the Vampire Slayer: Season Eight #26: Done. D-
Unthinkable #1 and 2: After reading this and Mark Sable’s ridiculous line about “I feel my privacy is a small price to pay for educating the government about the medium.” I had to pick up Unthinkable. I don’t think I got it for the content necessarily, but to see if indeed what he wrote was worth his pussy statement of relinquishing his privacy to a government that thinks five-year olds are terrorists and nipple rings can be removed at will. I’m glad that his comics mean more to him than his privacy, but, really, fuck him. I can’t even imagine what he thought he taught them about the comics medium: that a page layout doesn’t have to convey chronological action? That characters’ speech and facial expressions don’t have to line up? That people can walk willy-nilly onto military bases and bully commanding offivcers into handing over equipment and weapons? Frankly, Sable needs to be taught more about the medium before he can teach TSA anything. D
The Tick and Arthur: The Complete Works TPB: Still fresh after all this time. Non-derivative. Quirky. Uncanny comic timing. Gentle mocking. Ninjas. This is the gold standard of indy comics. SPOOOOOOOOOOOOOOOOOOOOON!!!! A+
Justice Society of America #25: If I have any criticism of this issue, it would be the logic of who’s to blame for Mary Marvel and Isis’s corruption. Everyone seems to blame Black Adam for his transferring power first to Mary Marvel and then to Isis to resurrect her; Mary then bestowing Billy with some of her power. I’m just uncertain as to why Mary is in her Final Crisis costume. I always thought that the lightning was a catalyst for the transformation, and not itself good or evil, nor even corruptible. Though seeing Shazam lose his poop is probably an indication of how wrong I am. I do, however, like how everyone has been reset back to their true personae, even if the Marvel Family is no longer the Marvel Family. I hope they get their own title soon under the hands of a capable writer. A
Madame Xanadu #9: OMG was that a boobie??????? I guess after a thousand years or so even magic users get itchy Down There for some wand-in-hat action. Two more Golden Age heroes run tangentially to Madame X’s complicated history with the Phantom Stranger – The Spectre and Zatara. I think MX and PS need to just have a good, old-fashioned grudge-f*** and get it over with. Or at least get on with it; the wheel-spinning conflict is starting to wear a bit. He is, after all, already tied up. Amy Reeder Hadley’s art continues to impress. My big fear is that she’ll be replace by someone less apt and that the charm of these stories will be lessened somewhat. When it comes to the “Which is more important in comics – the story or the art?” debate, I fall on the “You can’t separate them out like that, idiot!” side. A-
Buffy the Vampire Slayer: Season Eight #24: While a good story, it’s another month spent doing character exposition and not really making any headway in the overall story. I was hoping by this time we’d learn why Buffy and Giles are on the outs, to say nothing of what Giles and Faith have been up to in the search for “Twilight” (Buffy’s “Twilight”, not the vampire “Twilight” of the vampire “Twilight” books and movie. Totally different vampires from Buffy’s vampires and “Twilight”. See?). And apparently hair buns are the new “evil” trope for women, paralleling bald, bearded men. C
Normally, I try to get “That’s My Bag!” weekly, but I’ve let it (and my grading; sorry, students!) slide for more… personal matters. I’m catching up in a few weeks of comics here, so everything will be brief. I hope to make this feature regular again, especially since this week is SPRING BREAK!!!
Supergirl #38: She’s on Earth; she’s on New Krypton. She’s an outlaw; she’s a bad daughter. I see another “Who is Supergirl?” story arc coming up soon. B
Superman #685: I’ve always loved Mon-El (though not as much as Kal-El does, apparently), so I’m glad to see him taking on a new Kent identity. I didn’t like to see him leave Ma Kent in the hands of another care-taker. A
Action Comics #875:Well, it’s not Conner (dammit) but the new Nightwing’s identity is still a great surprise, as if Flamebird’s. I’m going to like seeing these two in this title over the next year or so. A
World of Krypton #1:
Justice Society of America #23: Oh naughty Isis!! A
Justice Society of America #24: Shizzman! Mary Marvel goes Dark. Again. So, is JSA caught up with the Final Crisis timeline while the rest of the DCU isn’t? A-
Wonder Woman #29: Sadly, Zeus plays too large a role in this story for being as large an assdancer as he is. However, without these scenes we wouldn’t know how dangerous the Olympian is going to be. A
Madame Xanadu #8: Green Lantern. The Demon. Who else will be shaped by Madame X and the Phantom Stranger’s machinations? The story is still fun, but I’d like to see more “the future has taken root in the present” moments. B+
Buffy the Vampire Slayer Season Eight #23: Who is driving this story??? Because we’re off-roading here. D
Uncanny X-Men #506: The issue is totally transitional and not necessary to buy. C
Secret Six #6:WTF?!?!? The MAD HATTER?!??!?!?!??!?! He’s the one behind all this? I’m pretty disappointed by this, mostly because I only remember the Mad Hatter at the guy from the Batman TV series who had a hypnotic eye pop jack-in-the-box-like from his top hat. He seemed more goofy than mad. Maybe it was my attitude this week, but this was my first of the two “meh” titles I picked up. Normally, I like everything Gail Simone does, but too much time was spent on Deathlock, the least interesting of all the characters, Yeah, he gets to betray his friends and all, but the “I’m just being the scorpion” line rang so false, the way Catman told Batman that they were going to kill each other one day, weren’t they? For being such C-list characters, the Secret Six don’t lack in ego. C
Legion of Three Worlds #3: This issue has a HUGE cast that is almost impossible to follow unless one has been a fan of The Legion for the last two decades. But who cares?? Geoff Johns and George Perez have all the nuances down for long time Legion lovers to debate and spar over, while for the rest of us, they deliver an issue with no less than three goosebump-raising moments (especially the last on on the last page). Superboy-Prime, get ready to be spanked! A
Buffy the Vampire Slayer: Season Eight #22: The “meh” continues strongly in this issue, ironically called “Swell”. Don’t get me wrong – the banter between Kennedy and Satsu is right on the mark (especially, “Your eval’s SO getting a smiley face!”) but the main point of season eight is getting lost in all these side stories. The stories are great in and of themselves (the cartoon episode TOTALLY not included), but they don’t contribute to the tension I should be feeling by now. C+
X-Men Noir #2: Noir is dead. No matter how many times someone tries to resurrect it by pulling together the most superficial elements of the idiom, it remains corpse-like, as well it should. What made noir noir was the freshness of the cinema combined with a dramatic flair for hyper-realistic sensationalism. Making a comic book black and white, and peppering sentences with “dame” doesn’t capture the essence of the movement. X-Men Noir is… well, it’s just dreadful, which I saw in the first issue and yet came back to read the second, thinking I was missing something. Nope, I got it right the first time. The art is muddy. The dialogue is clunky. And the story is so dull that it put my cats to sleep. But worse than all that is the X-Men don’t fit into this story at all. I could see Captain America maybe being better suited for this “other wheres, other whens” iteration (I’m kidding; no one write that up!) but here the story always comes back to “these are the X-Men and they will go mutie on your ass”. There’s no urgency when they see their ends coming, because I know they’re going to fight back and prevail. I don’t feel the grittiness, the hard-heartedness nor the angst that should come with a good noir story. I wish I could say, “Nice try” but my real message to the creators would be “Pencils down, now!” F
X-Men #505: Matt Fraction seems to be having a hard time getting a hold of the X-characters and what they do. He has the mayor of San Francisco down pat (like her!) but his other plotlines – Angel and Beast tracking down geniuses to recreate the mutant race; Colossus tracking down something to hit; X-23 doing something to someone that involves their blood – are more about the prey than the X-Men themselves. This isn’t necessarily a bad storytelling technique, but when the whole issue is out of focus this way it’s just… well, boring. He also seems to be dropping transitional moments down a Claremont Hole. For example, the Beast is in a meeting with Cyclops, Emma and the mayor as the issue opens, then is off cornering a genius several pages later with Dr. Nemesis and Angel in tow. It reads like there are two Beasts on two separate missions- one in the mayor’s office who is doing fuck-all and is completely superfluous to the scene, then one who’s in charge of genius-tracking. Hopefully, Faction will work these problem spots out soon. C
Madame Xanadu #7: Good art. Good story, but beyond that, I can’t think of anything to say to recommend (or condemn) this story arc. It’s competently done and full of plot, but that’s about it. C+
Superman #683: I so desperately want someone to take Alura over their knee and spank the bejeezus out of her, I’m thinking of baking a red velvet bundt cake with a strawberry glaze and calling it “Alura Over Someone’s Knee Cake”. After that, I’m going to bake two cupcakes and call them “Kal-El Needs to STFU and Step up to the Plate” (white with a jelly center) and “Kara is Still Krazy” (pork-flavored). At least the JLA knows which side they’re on and are willing to make a stand for justice. I get that Kal and Kara are conflicted, but they’ve got to see that Alura was beyond negotiating three or four issues ago before she went all Idi Amin. This isn’t an attack on their characters, but a question as to why this hasn’t come to a head sooner. Nevertheless, this is the chapter I’ve been waiting for – action galore! A
Buffy the Vampire Slayer: Season Eight #21: “Bored now.” D
Kick-Ass #5: After taking its good sweet time coming out, the latest issue of Kick-Ass was well worth the wait. Millar’s wheels are finally out of the mud and rolling down the highway at least 15 MPH over the speed limit. Normally I complain about Millar’s inability to maintain the flow of his stories – they’re too slow, too loud, too full of Millar, what have you – but this time around he manages to balance the action with his characters’ development. Kick-Ass and Red Mist driving around Dodge “on patrol” is a spot-on budding bromance scene out of a summer blockbuster (no doubt the reason it was written this way) cemented by their then answering a desperate call for help. A guilty pleasure even now, Kick-Ass makes my dog bark. A
Getting ready for the holiday took me away from reviewing comics for a few weeks, so to catch up, here are my encapsulated opinions. Feel free to email me for deatils.
X-Infernus #1: Strong start with diabolical subplots. I’m hoping this leads to a reincarnation of The New Mutants. A
Dark Reign #1: Oh noes! Another event!! In its favor, however, is its short run (three months according to the checklist). Working against it is that it’s another event.
Secret Six #4: Simone’s idiom of gelling disparate elements borders on vaudeville at times, but it continues to intrigue. A-
Action Comics #872: “New Krypton” continues by adding more useless characters to the board (“Creature Commandos”? Really?) while finally touching the main conflict. B-
Final Crisis Revelation #4: DC’s treatise on the Nature of God is one of the most disconcerting comic read of the year. Loves it. A+
Final Crisis #5: DC’s Millennium + 20 years = Final Crisis #5.
Supergirl #36: The penultimate chapter of “New Krypton” finds Alura being a horrible mother and a krytpo-centered, myopic slattern. I wish this had actually happened back in chapter 3. A
Manhunter #37: While I normally don’t like “X years later” jumps in plots (the atrocious A.I. still haunts me), Andreyko’s jump gives me a sense of continuity that will extend beyond the last (next) issue. A+
Hellblazer #250: Old-fashioned holiday fun the way they used to do it in Hell. A
Wonder Woman #27: Gail Simone loves these characters as demonstrated by the rich textures and motivations and interactions she gives them. Her Genocide scares me way more than her Junior. A
Buffy the Vampire Slayer: Season Eight #20: Cool idea, but after the pointless “Return of Fray” storyline, do we really need another break from the Big Bad’s arc? My magic eight ball says, “Definitely not.” C+
Runaways #5: I’m starting to find the “the best way to end a conflict is to just end it” idiom to be a fun one. It let’s the story move on to more interesting problems. Other than that, not much happens. B
Thor #12: Loki continues to rise as my favorite transsexual villain as he and Hela make plans to rule everything. A+
X-Men NOIR #1: Ugh. They did it better on Smallville’s “Noir” episode (and that sucked eggs).
Ultimatum #2: It seems the Wasp can’t get a dignified death in any universe A-
Manhunter #34: There is a LOT going on in this issue, not only in terms of action, but also the extensive cast list. If this were a lesser writer, I’d be concerned that the whole story would fall deep.. ok, deeper into soap opera territory – just look at the complicated (yet “brief”) family history as told by Grandpa Iron and Gramma Phantom Lady – but Marc Andreyko avoids the hysterics while keeping everyone’s lives messy. Spoiler alert, but the cover is completely misleading, and I should be more disappointed than I was, especially after last month’s cliffhanger had me drooling to see Kate and the Birds of Prey kick some Suicide ass. Each side got their licks in, but it wasn’t the slugfest I was hoping for. Still, I came away satisfied with the outcome. With all the brouhaha over Northstar being a celibate eunuch (not redundant; see “Farinelli”) over at Marvel, it’s nice to see Todd (Obsidian finally out on parole from whatever it was he was doing in JSA) and Damon share a little sugar. Of course, we’ve seen them kiss before and have a post-coital moment in bed, so… yeah, this round to DC in the “Gayer than Thou” wars. A+
X-Men: Return of Magik #1: Strange déjà vu because I know I’ve seen these stories before. Any original material of my favorite mutant demon sorceress on the way? No grade.
Buffy the Vampire Slayer: Season Eight #18: I’m going to retract 60% of the contempt I had for Joss Whedon’s re-using Dark Willow (as telegraphed from orbit revealed last issue) and say that it lends sufficient pathos to the plot built up around her and the future of the Slayer race (i.e., there is none) to keep me onboard. Still, there’s a lack of focus on the sub-plots – what happened to the Slayers after the castle went BOOM, what is Twilight and how bad are they are chiefly blurry – and adding treants to the mix didn’t clear up the haze. Other than that, the issue really belongs to Xander and Dawn (PLEASE don’t let them get together!!!) and Kennedy for schtupping Willow while voluntarily possessed. B-
The Boys #22: The dénouement of “I Tell You No Lie, GI” doesn’t tell us anything new about the supes or their role in the world, but with the revelation that Wee Hughie is dating an auxiliary Seven member trouble can been seen rising like the sun in the East. And poor Annie. When she blinded A-Train, half on top of her, pants all the way down, I should have cheered the way I cheer for Scully when she draws her gun on the Freak-of-the-Week, but I felt more like she is getting what she deserves for not walking away from the whole mess. I’ll have to read the back issues to find out what’s keeping her there (unless someone can email the info and save me a lot of money). For as strident as people are about Kick Ass’s childish homophobia and cartoonish violence (which, God help me, I enjoy reading), I find The Boys far more troublesome. A-
Secret Six #1: I want to have Gail Simone’s ability to jump into a story head-first, free-style through her characters and kick like mad through sub-plots. (Yes, this is a Michael Phelps-inspired hook. Why?) I don’t even like these people, but her villain-in-a-box and compassionless anti-heroes aren’t really too far off from the actual heroes of the DCU in terms of their heroiclessness. Plus, Catman is hot and needs to be naked more. A+
Manhunter #33: *single tear* There’s no Blue Beetle in this issue (from all appearances, he was drafted into Final Crisis #3 to do.. whatever it is that’s going on in that book), but there are still guest-appearances galore, and hints of a major ass-kicking next issue by some of my favorite DC ladies. Kate hasn’t done anything of questionable morality lately, and I’m wondering if she’s lost her edge being a family woman now. Nah. Still, Kate needs some ethical dilemma to cut her way through. And soon! A-
Final Crisis #3 Since this series began I was under the impression that it was going to touch all the titles of the DCU, but I’ve recently been told otherwise. This confuses me because I know that Morrison is a great writer who doesn’t go in for half-told tales, yet Final Crisis continues to give only glimpses into the full story of the “War of the Fourth World” (as I see it shaping up to be) while wasting time on sub-plots and characters who ultimately don’t do anything. Again, maybe “don’t do anything yet,” but still, the waiting is getting painful. I don’t loveFC, but I’m not ready to drop it either. The regeneration of the Forever People as Japanese pop heroes is a funny sub-plot and I’m always wanting news of my grrlfriend Mary Marvel. Morrison once gave 6 billion people super-powers to stop an alien invasion, so what will he do this time to save the world? B
Buffy the Vampire Slayer: Season Eight #17: Really, Joss? Dark Willow? Again? 200 years in the future and dressed like Mary Shelly? Really, Joss? C
The Boys #21: I should have collected this series from issue one, but a review by someone whose opinion I respect overrode my curiosity, and didn’t think that the series was worth a look. Eventually, my scholarly nature overrode my repulsion and I took a look. I can’t disagree with many things that have been said about The Boys: it’s depraved, sexist, decadent, self-indulgent, tawdry and 1,000 other denigrating adjectives that add up to one of the edgiest reads since The Walking Dead. Being a completist, I’m definitely going to find the back issues and enjoy the horror. A+
Marry Me: I’m not a big fan of Amerimanga (or whatever the kids call it these days) – American artists borrowing manga styles stroke-for-stroke – because it’s so… stylishless, like a dress made of beautiful fabric held together with staples. Still, Marry Me is a cute and breakneck-paced romantic comedy that will be made into a November-release movie within the next year, no doubt. B+
Myth #1: Ah, yes, PORN! Mystech porn! Mystech gay porn stacked full of semi- to fully-naked men all of whom are hung like the tentacles from that squid in 20,000 Leagues Under the Sea. Talk about not seeing the forest for the trees, I have no idea what happened in the story, but it seemed hot. Really, where do guys like that hang out and can I get a membership? Oh! Accidental pun! B+
Why Do You Cry When I’m on Top?: Funny shit even if it’s all absurd potty humor pushed past good taste but without entering crass. B
As we turn to our video video features for the week, I’m going to note again that I’m not a big believer in permanently linking to YouTube as they appear and disappear so frequently. I’d honestly rather have my own copy to distribute, but that’s not always possible. Therefore, I offer up these transitory morsels. First, The Muppets’ Beaker performing Ode to Joy:
Then, the never-before-seen-now-virally-seen pilot of the Buffy the Vampire Slayer Animated Series:
And finally, I cannot believe that Bill Donohue hasn’t had a rage-induced stroke over the soon-to-be-released Hamlet 2 and its musical interlude, “Rock Me, Sexy Jesus”:
Astonishing X-Men #25: Warren Ellis and Simone Bianchi take over for Whedon and Cassady and actually make changes to the X-Men (the most prominent and well-advertised of which is their move to San Francisco)! The dialogue is banterful and the watchword for the series is “CSI”. My only complaints are Armor (she’s the latest ingenue? Ugh. Hardly a worthy successor to Kitty or Jubilee) and her tiresome “make me and X-man” paean; the clunky depictions of Ororo (the Julie Taymor-inspired headdress can hardly be aero-dynamic); and the dark, muddy colors (seriously. Hold the issue at arm’s length and page = my cake in MacArthur Park). B+
Buffy the Vampire Slayer: Season Eight #16: Yay seeing Fray again! Yay Dawn as a centaur! Yay Kennedy and Willow! Yay Kennedy threatening Buffy! Yay getting back to the Big Bad for the series (finally!)! A
Manhunter #32: As ever, Manhunter stands free from the “events” twisting the DCU inside out this year (though the subplots bump into Batman’s and the Justice League’s Big Players), and she’s doing just fine without that mess because she’s already in plenty of trouble. What I like most about Manhunter is that it’s free to develop interesting plots and relationships that don’t need to be reconciled to 70+ years of baggage. I see folks have been accusing Marc Andreyko of pushing his liberal agenda in this arc, but the questions are “is this a problem if the story is set in El Paso?” and “Is Kate herself is a liberal?”; I mean, she hunts down criminals and has killed several of them during her time as a hero. Is this liberalism? Conservativism? Anarchism? A+
Billy Batson and the Magic of Shazam #1: I wanted to like this series, especially after the enjoyable Shazam and the Monster Society of Evil, but I’m still a bigger fan of the classic Shazam! Family stories from the 70’s. It’s a cute comics, but Captain Marvel is just a Billy Batson in a bulkier body, unlike Smith’s version which showed them as two separate personalities (they could even talk to each other). After the horribly odd and poorly-paced Trials of Shazam! and the ridiculous abuse of Mary Marvel in Countdown, I wonder if anyone knows how to write these characters well. C+
Heresy #1: It took me three reads to get into the story of Heresy mostly because of the art. Not that the art is hideous or anything, but the photo-realistic style makes it difficult to distinguish one dark-haired guy from another; luckily, the dialogue repeats the characters’ names enough times that I was able to sort out who was who before I lost interest, which would have been a shame. It’s a mystery story, so not everything is revealed at once, but what we learn connects post-Tsar Russia with a modern experiment with (I’m guessing) reanimated tissue. Pre-order at Ape Entertainment. B+
Stephen King’s The Stand: While not available until August, I got a sketchbook of the adaptation this week. The art looks good, but I’m always wary of adaptations; they never seem to carry the tone of the books through them, which should be the easiest thing on the world to do with the right artist. Look at Gaiman’s Neverworld comic or The Dresden Files – the artists were completely wrong for what the books are about, to say nothing is the useless and distracting the extra-textual material that took away time from actual textual material. I’m not saying this is the case for The Stand, but my first red flag (hee hee, pun) went up when I saw the nuclear explosion on the cover.
Manhunter #31: YAY!!!! Manhunter is back!!! I’ve been waiting for this issue since last summer when DC announced the the title’s non-non-non-cancellation, and Marc Andreyko doesn’t disappoint (I can’t say “it was worth the wait” because nothing is worth waiting a year for. I’m impatient by nature. Penelope was a rube.). He’s managed to jump back into the storyline and not lose a word of style. Big plus: Obsidian makes an appearance! Bigger plus: Special guest appearance!! A+
House of Mystery #2: I still don’t know how I feel about House of Mystery. I like the centerpiece stories, but the “plot” doesn’t do much for me. The characters are interesting, but they don’t do anything interesting except act confused, which isn’t all that interesting. B
Kick Ass #3: This kid doesn’t learn. And that is the appeal of the story. Dave is either out for the fame of being a hero or he’s really trying to make a difference in the world, but either way, he rushes blithely into danger knowing he doesn’t have the power to back-up his advances. This issue is more of a bloody mess than the previous ones with no upper limit in sight. A+
Secret Invasion #3SPOILER: So, Tony Stark is a Skrull. Did anyone NOT see that coming???? And the spaceship Captain America is the real deal???? And if Cap-who’s-dead is really a Skrull, can be believe a Skrull would die so nobly for Myspace? Is this like one of those Battlestar Galactica Final Five sleeper Cylons who never knew they were Cylons until a switch was flipped? I can’t wait for someone to explain when all these exchanges happened, but, honestly, do I even care anymore? Uh… no. No, I don’t. And the tie-ins? One time my students were talking about how much they loved the Kelly Clarkson song “Because of You”, and I said I really didn’t get what being afraid to stand on the sidewalk had to do with anything else in the song. One student said, “Oh well, that’s covered in the music video. You have to see the video to really understand.” and for a second – a very rare second in my teaching life – I completely camped out and drawled like Edwina Monsoon, “WATCH THE VIDEO? It’s a Kelly Clarkson song and you’re telling me there are SUPPLEMENTARY materials that enhance the listening experience, darling? Is THAT what you’re telling me?” Which applies to SI tie-ins, too. D
Buffy the Vampire Slayer Season Eight #15: I was wrong. “Wolves at the Gate” managed to close off in a satisfactory way in only one issue, even though the Rule of Joss was in full force for the hapless Xander. Really, is Mrs. Whedon under any kind of security detail because if I were her, I’d worry. And not sign any huge life insurance policies. Also, it was good to see Willow and Buffy share a friendly moment, even if the Dark Waters of Magic threaten to drown Willow at every turn. A+
Hellblazer #243: This is the first issue of Hellblazer I’ve ever picked up and it was a good place to start. Of course, now I want all the back issues. Dammit. In the sacrament of “Corporeal Confession” (i.e., “fucking like bunnies”) a priest inadvertently lets a succubus loose in the Vatican. I’m sure stranger things have happened in real life, but we’ll never know. GREAT story! A+
An aside:Hellblazer has a preview for some piece of garbage called Young Liars. Someone at Aintitcoolnews.com called it “A firecracker of a book,” but someone must have blown him real good for those pretty words. Who writes crap like, “Sadie Dawkins. The most amazing, beautiful, exciting, smart, funny, amazing (did I say that already?). gorgeous, smokin’ hot, kick-ass, cool, so so cool woman that ever was or will ever be. The girl I love.”? Adjectorrrhea aside, how did Sadie go from being a woman to a girl in less than a sentence? F
Secret Invasion #2: And a street.. ok, jungle brawl breaks out because superheroes think with their fists and not their brains. Jeez. So, this is how Captain America will be brought back. and Phoenix as well? God forbid! Uh.. so, it was a Skrull that was killed by Magneto three years ago? Why would a Skrull impersonate Phoenix? I mean, seriously, can they wield powers on a cosmic scale? Would an impostor be spotted too quickly so it had to be killed off as soon as humanly possible? And where has everyone been for the past three years or so? Grr. I can’t figure out if I like this book or not. Oh, but bonus points for Mockingbird being alive. I always liked her. But, then again, whose soul is being tortured in Hell if not hers? Grr… B-
Buffy the Vampire Slayer Season Eight #14: I enjoyed the issue, but, like tonight’s Brothers & Sisters, the story that should have been the centerpiece (B&S: Kevin and Scotty’s wedding.. and by the way, how did Kevin not get his ass kicked for walking out on their honeymoon night? And why didn’t they get a nice hotel room instead of going back to their apartment? Who wrote this episode???) seemed rushed. “Wolves at the Gate” could easily run a few more issues, but it’s all going to be tied up in #15. Oh, and one spoiler: the “Rule of Joss” is in full force this issue. Sad. B+
Grendel: Behold the Devil #4: Oh, Matt! After such a strong start, we’re half-way through the series and there’s no sign of Grendel’s mysterious stalker, just his grousing about it. I find the rest of the story as interesting as I have since issue #1, but the earlier tension is getting tedious. B-
Thor #6: In one fell swoop (heh heh; pun), Thor restores all the Asgardians who have been hiding in mortal bodies since Ragnarok a few years ago. As in all things Marvel, The End of the World isn’t really the end. Ever. The highlight of the issue is the locals’ meeting with the Asgardians, especially the “indoor plumbing” discussion. This is supposed to be the end of the first story arc, but it doesn’t feel like the end. A
Justice League New Frontier Special: Good timing on DC’s part to have a New Frontier Special coincide with the release of the New Frontier DVD. So good one may cynically call it “milking the cash cow”. Nevertheless, the stories therein are enjoyable and give some interesting insights into the political side of the early JLA. A
Buffy The Vampire Slayer Season Eight #12: Has anyone NOT heard about lesbian Buffy, yet? Too late. Now you have. Ironic hillarity follows after Buffy says she wants to keep things on the DL for now. Butt monkey!! A
Northlanders #1: This was recommended to me by uhm.. this really nice guy at Austin Books and Comics. Dammit, now I’m embarrassed for not knowing his name. (UPDATE: his name is Seth) He said it was a little like Conan, about actual Norsemen and not their gods. It was kinda OK. I always find it disconcerting when ancient characters drop f- and sh-bombs, but one could attribute that to an analogous translation. I suppose. Overall, meh. C
Buffy the Vampire Slayer #11: Joss Whedon came back to write the one-shot story in which Twilight makes his first appearance. I’m convinced we’ve seen this guy before in the regular TV series, though not as “Twilight”. Any guesses as to whom it may be? A
The Infinite Horizon #1 – 2: Also recommended by.. Troy? Trent? Dammit. (UPDATE: Seth.) I love the classics. I hate war comics. The Infinite Horizon, as a near-future retelling of The Odyssey (set in the Middle East because it’s topical), manages to make me forget it’s a war comic. The art is funky – pulpy, stylized at times, patina-ed not colored. A-
Wonder Woman #17: I cried during this issue (of course, this could be because I’m feeling a little brittle this week). Simone continues her triumphant run on WW, in this, the last chapter of “The Circle”. What else is there to say? A+
As a side note, I’m enjoying the Witchblade anime on IFC, but I wonder at the artistic choice of the jiggly wineskin boobs on all the chicks. I also suspect that the Masane and Hiroko (is that the daughter’s name?) have switched personalities, but are as yet unaware of it.
Wonder Woman #16: I need to go back and re-read the issue that explained where this story takes place and how Diana can access Paradise Island again (if indeed the story takes place on Paradise Island at all), but just knowing how well Gail Simone has been handling the Amazon Princess so far, I’m sure this misunderstanding is completely my fault. Simone even managed to touch me in a deep deep place this issue – one of Captain Nazi’s soldier’s told an underling to burn the library on Themiscyra!!! The evil!!! A+
Astonishing X-Men #24: I will miss this storyline and this team (the X-men and the mundane creative one), but it seems that with the “death” of the X-Men at the end of The Messiah Complex that everyone is going to be re-arranged. Again. At least we get one more issue out of the whole thing – “Giant Sized Astonishing X-Men #1″ – but not until April. The art is stunning, as usual. My favorite panel is the X-Men fighting on the surface of the retaliator, space Breakworld and beyond laid out before them in stunning perspective. A+
Grendel: Behold the Devil #3: Thank God(s/dess) that Argent wasn’t the presence haunting Grendel (in both identities, we find out this issue), because Argent is so… unsubtle (as we also find out this issue, if we didn’t know before). Still, Wagner isn’t dropping any hints (I think) and that’s getting a bit annoying; however, the action sequences and the last line of the issue more than make up for that. A
Buffy the Vampire Slayer: Season 8 #10: Was Andy Owens just going out of his way to be bewildering in this issue for kicks or is this part of a plan? The story overall was great (and sad a bit – not only about the lies revealed but also learning the purpose of The Twilight), but some of the dialogue defied comprehension. Things didn’t seem so bad before, nothing the gang couldn’t handle, right? But now, everyone looks pretty tainted. A-
The Twelve #0 – 1: JMS digs deep into Marvel’s vaults to find his team in this 12 issue mystery mini-series. Issue 0 is a hoot and a half, seeing all the old-time drawings and plot devices. And, man, are they violent! I was stunned by the amount of death (then again the number of times “kill” and “death” are said in The Superfriends stuns me, too) in them. An interesting read. B+
Rex Mundi: The Guardian of the Temple: Why has no one ever told me about this incredible book before?? A
Grendel: Behold the Devil #0: I love Matt Wagner’s work; I have ever since his early work on Grendel and Mage. I truly believe he’s one of the most under-appreciated and underused creators in the comics world (next to Art Adams). So, when I heard that he was returning to his original devil, Hunter Rose, I couldn’t wait to see if the same old (black) magic would be there. It was. Matt Wagner tell an elegant and violent story in 6 pages without leaving the reader in a lurch. A+
Grendel: Behold the Devil #1: Why do I cheer for the devil? Grendel is an evil figure, a monster who enjoys the bloodshed, yet here I am excited to be reading about him again. I doubt I would buy sad clown painting by Gacy or the serial killer collectable cards that were so popular in the early 90’s, so what is it about Hunter Rose I like so much? This is a must have series! A+
Buffy the Vampire Slayer #9: Faith is one of the most complex characters in the Buffyverse. She has fought for evil, dodged her burdens by attempting suicide, been redeemed… or so we think. How close is Faith to becoming the next Dark Slayer? Does she love and/or hate Buffy that much? A+
Sadly, though, there was no Gutsville #3 this week. Me are sadness.
Astonishing X-Men #23: Rumor has it that Joss Whedon finished all the issues of his X-Men run within two months of landing the assignment (despite the irregular publishing schedule). After reading this issue, I think that may be true. Joss’ backstory lets us in on the X-Men’s plan for infiltrating Breakworld and delivers a huge payoff in the last three pages. I’ll say only this – the look on Cyclops’ face. A+
Buffy the Vampire Slayer #8: Part three of Faith’s infiltration of an evil Slayer-killing Slayer’s life and plan to do away with Buffy. Faith and Buffy manage to misunderstand each other again, but it’s all good drama. Getting rid of all that great tension would kill this series faster than it did Moonlighting. A+
Groo the Wanderer: Hell on Earth #1: Ah, Groo! How you made me laugh when I was in high school! Now, not so much. Hell on Earth is an unsubtle and unfunny comic book with a message. I like the message; I hate the unsubtle. Related note: When did NBC go green? C-
Runaways #28: Big week for me and Joss Whedon, it seems. I only picked up Runaways when Whedon took over, so there are some points in this issue I’m really unclear about, like whose parents are these people are who died when by whose hand? This may have been explained in a recent issue, but again the irregular release of this title and the depth of the story and characters make it hard to remember all the details. Still, this is a strong story that manages to stay in its 1800’s character. B+
2d."Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed."
— G. K. Chesterton
about OC
Orthocomics is an indy comics studio that pulls talent together to create novel, thought-provoking comics. Titles currently on the market are Frater Mine the oh-so-tantalizingly-familiar Generic Goddess Coming soon: PRAXIS!!
