News of the Right

No reviews this week, but I found something truly wonderful at Austin Books and Comics: Dynamite #4 with the dreamy Shaun Cassidy and Parker Stevenson on the cover! Squeeeeeal! On a less gay note, Dynamite was one of those magazine’s for kids that we got through Scholastic Book Services in school. It was a step above Highlights for Children in terms of content and reading level, but less erudite than CBS’s “In the News”. The cool thing about this find is that it still has the subscription form and club patch inside. And, yeah, the Hardy Boys.

Green Lantern #51

There’s a reason that Geoff Johns was just promoted to the post of DC’ Chief Creative Officer, and it’s in this issue. I don’t normally read any of the GL titles, but Johns’ “Blackest night” has me buying all his supplementary stories. The guy is carrying on a serious love affair with all things DC, and his affection is contagious. Under his direction, I can see the DCU becoming a much more interesting place.
Grade: A

Uncanny X-Men #521

If it weren’t for the last page of this issue, I would consider dropping the title altogether. The X-Men just created a nation for themselves, and instead of getting into the meat and potatoes of setting up a government, mutant political factions, “savior complexes”, and host of other issues that are pretty relevant to current topics, Matt Faction serves up a very tepid Legacy Flu. It’s sort of like having Hamburger Helper every Friday night: it’s safe and traditional, but no one is every going to moan in delight with each meaty, saucy spoonful.
Grade: C-

Siege #2

I haven’t been an “event” person in years (even though I have every issue of the much-maligned “Final Crisis”) mostly because I find them to be more con than content. While hyped to be huge and meaningful, events aren’t usually that impacting, and, worse, they’re horribly written and poorly plotted.

Having said that, I loved Siege #2!

While the content is on the light side (the majority of the issue focuses on Ares and his ill-fated battle with Sentry), the more mundane scenes – particularly between Nick Fury and Alex, the Avengers in the S.H.I.E.L.D. transport, and the last page of the issue – are well-written and give more weight to the story than “superpower-on-superpower action” and “the Saint Crispin’s Day speech”. But, I’m a moments guy.

Coipel, Morales and Martin are a cyclonic artistic force. While Bendis’ words may have been handled well enough by another team, this one breathes life into each panel with its dynamic compositions and expressive faces. Even the capes are expressive and full of movement. The best example of this is page three – Ares’ realization that he’s been manipulated into attacking Asgard juxtaposed with the battle below is brilliant. Without words, without mummery, the reader knows exactly what is going on under the god’s helmet. Great stuff! However, the rending of Ares on a later page, while arranged beautifully, is odd in that his intestines seem to have been previously resting on his back, protecting his spine. Gory, yes, but inaccurate overkill at best.

My one complaint is the half-truth of the “death of an Avenger” solicit. It was sophomoric hype at best. You can do better, Marvel.
Grade: A-

Kick Ass #8

The final issue of Kick Ass is just about what everyone expected it to be: loud, hyper-violent, and calculated to offend as many people as possible with… well, pick your issue. It’s bound to be there. and I say “calculated” in the most cynical way possible. Even going back to the solicit, which asks “Who will be morally outraged?” (when there’s not a single character in the book that knows what morality looks like let alone if outrage is an option), it’s obvious this finale was designed to provoke a reaction from the audience. Mark Millar went where “Heroes” couldn’t/wouldn’t/was unable to go with the “superheroes in real life” theme, and how messed up it really would be. Overall, however, Kick Ass is like watching porn: lots of button-mashing and screaming and penetrations climaxing with everyone screaming as the money shot splooshes out, covering everything. It is a comic fanboy’s wet-dream brought to the page. I have to applaud Millar for doing what no one has really done before: delving into angsty-teen-comic-fan-fic comic stories and making at living at it (then again there is the inexplicable popularity of “Twilight” and “Wicked Lovely”). If “nuance” is what you’re looking for, well, that’s why there are movies like “When in Rome” (I jest, of course. “When in Rome” is as subtle as a skinhead at a Seder.). I just help but wonder that I read this series the whole way through. Maybe because it betokens the future of comics writing.
Grade: C

Madame Xanadu #19

Madame Xanadu is one book I look forward to every month. Oddly, this month’s issue was supposed to be the conclusion of a story, but instead there was an overwrought “aside” about Nimue and Morgana’s childhood together (an extremely long childhood, at that). I know that Matt Wagner is often overwrought, but usually that can be forgiven because of the art that accompanies the story. This is one of those titles where the art means so much to the words. Amy Reed Hadley, who normally illustrates, is off this month, replaced by Joelle Jones, and the story is just kind of “OK”. Amy brings some real magic to Matt Wagner’s words, and without her, this chapter seems both unnecessary and ugly.
Grade: C+

Green Lantern Corps #44

Normally, i hate deus ex machina because it’s a cheap escape from a dramatic problem: the universe steps in and says, “No more. It’s done.” which leaves characters (and viewers) unsatisfied because it shows that we’re at the mercy of powers greater than ourselves, and free will is a slogan like “life should be fair.” That being said, I LOVED GLC’s method of disposing of the Black Lanterns: Mogo. It seems fair in some way, especially because Xanshi in its entirety came back, to say nothing of the rest of the universe’s re-animated dead. God doesn’t come down and declare that “Enough is enough. Go home.” No, no. God comes down with some righteous smiting, and it looks great ion a page. Is there a counterpoint to deux ex machina? If so, that’s what Peter Tomasi has created in this issue.
Grade: A

Uncanny X-Men #520

When sitting down to write this review, I had to pick the issue back up again because I had no recollection of what had happened. Then I saw the cover and remembered that Wolverine and Psylocke were out and about looking for someone for some reason. Then it occurred to me that I had liked Magneto because he was being misunderstood (Scott, of course, was a controlling bitch to him) and noble (poor guy couldn’t catch a break even when being helpful). In general, the issue was half-forgettable and half-sorta interesting.
Grade: C-

The Power of SHAZAM! #48

I’m sure the undead have their own particular stench, but in this case, it smells like… poo? Jeez, someone light a match for this Blackest Night stinker! First of all, this one-shot is even more proof that no one knows how to write the Marvel Family well. Except for their abbreviated stint in JSA last year, there’s really nothing marvelous about them of late. Second of all, I’m uncertain if this a “triumph of the human spirit” story or a “here’s another clue as to how Nekron will be defeated” story. If it’s the former, why is Osiris of all people able to resist the Black Rings? “Black Adam’s magic” is a throwaway explanation since lots of magical beings have not resisted un-life in the main BN title. If it’s the latter, well, it’s a clue no one in the DCU is going to have access to.

The Marvel Families have so many stories that still need to be told, and with just one issue to do one story, they (and we) were we given this. Osiris himself says that “we were all just family,” and that would have made an excellent theme for an excellent story, but, unfortunately, we got jack shit.

The folks over at CPB are taking a week off to get ourselves ready to advance from beta to… is it “alpha”? “The Omega Opening” (and doesn’t that sound tawdry?)? I have no idea. What happens after “beta”? Whatever it’s called, we’re heading there and I get to come back here to Orthocomics, do my reviews, and figure out what’s to become of the blog while CPB takes off.

Batman and Robin #3: Like a steak and potato dinner, this was satisfying. Very satisfying. Like, eating said steak and potato dinner, sleeping for a few days to wake up and discover you’ve lost 7 pounds not from a wasting disease satisfying. Leave it to GMo to come up with an airborne addiction and sound effects like “HAUUU NAUUUUU!” Frightening. A-

Batman: Widening Gyre #1: If I’m going to point Fingers of Blame ™ at anyone for this… let’s call it “a second chance gone awry”, it’ll be Mike Marts and Dan Didio for failing to do their jobs as editors. I know that Kevin Smith is pretty famous for his spaghetti-and-aspic-on-the-wall-let’s-see-what-sticks-and-gels approach to writing; I also know that mileage varies from work to work (compare Dogma to Chasing Amy). Yet for some reason, Marts and Didio seem to have not known this, or at least didn’t let it bother them in the editing process. I’ll admit that I bought this issue for the cover art (levels and levels above the interior art) and the title (“Widening Gyre”, how cool of a title is that?), so anything beyond this should be gravy, right? Sure, but lumpy, orange-flavored beef gravy? Maybe not so much. The mish-mash of multiple guest stars, incongruent backstories, and out-of-character speeches (Batman: “Sonnuva.. the kid pulled a ME.”; Etrigan: “No way…”) and nonchalant conflict resolution read more as “we need to fill pages” than “we’re telling a complex story”. D

Detective Comics #856: I still can’t put into exact words why I like this series as much as I do. The story has the hallucinogenic effect of Alice in Wonderland, a dream populated by bleary-eyed sleepers and hunters. I do know that I have to pick up the Crime Bible: Five Lessons in Blood to get a better handle on what this Religion of Crime is all about. B+

Madame Xanadu #14: There’s wisdom that says “No one expects the Spanish Inquisition!” but I’ve been expecting it to turn its attention to Madame X and her lady-love Marisol for some time now. I applaud these women for being bold enough to stay in Spain while, ya know, people are being killed to the left and right around them for offenses far less serious than acting out scenes from “Hot Babes in Loose Skirts.” However, not arming themselves or being more cautious or living somewhere deeper in the woods was just utter foolishness on their parts. Seriously, when the Christianists have their way with America and I become illegal for just being, I’m going to be fortified enough to take at least a dozen with me when they show up at my door. Yeah, “and your little god too!” Having said that, I like this issue, except for Kaluta’s strange rendition of the female form on the cover. I make fun of Greg Land for his impossible breasts and ineptitude in connecting head bones to neck bones and on down the line, but Kaluta has surpassed the master with his frightening Holocaust Special Madame X. B

Wonder Woman #36: I think Diana takes on too much responsibility that isn’t hers. Yeah, yeah, she’s got the whole wide world on her shoulders and has had for some time now, but taking Pele’s accusations of being complicit in Zeus’ murder of Zane, and “set[ting her] father alone against the wrath of [her] entire pantheon” is supporting an unduly free interpretation of the events. I’m sure she’s feels guilty about Zane’s death and all, but making a pledge to Pele when she’s just crawled out from under her Amazonian vows seems like she’s not thinking clearly at all. And awwh poor Tom! How is Diana going to explain her “I never loved you” away? I’m sensing a new direction for Diana, but it seems like Gail Simone is also only sensing it. B

New Mutants #4: Ah well, that was a disappointing read. Yeah, my girl Illyana got some scary one-liners off, but all in all, I think I’ve read this story before; ya know, “Legion screws everything up before the Muties pull it together.” I’m not digging the trophic characterizations (especially, God help us, with the dialogue) when by this time the Muties should be more individuated.

Dark Avengers #8: Angt! More angst! Less fighting for the sake of fighting and more angst! Jeez, what happened to the promise of the first issue? C

It was a very sparse week for comics; I got the first issue of the new Doom Patrol series (ugh), and didn’t give Buffy the Vampire Slayer more than a glance as I thought, “I’ve been burned by you before!” Click in the report card below to see my (and others’) reviews this this week’s comics:

Fly on over to ComicsPlusBlog for this week’s comic reviews. I look at the finally final issue of Legion of Three Worlds (SPOILER: It was a satisfying ending to a great story).

For fear of cross-posting, all of my reviews will now be a part of Comics Plus Blog’s weekly feature “The Pull Report”. Which I edit. I know: “one more thing to do every week?!” The site is still in beta, but swing by to see what I and a whole annoyance of reviewers think about this week’s comics. Click on the graphic to get there:

Uncanny X-Men #513: Oh, Scott. Did you not see this coming? I mean, did anyone not see this coming from the moment that Scott and Emma started banging psychic uglies? I’m just surprised that it took this long for Emma to take over the X-Men and reform them in her image. However, as stupid as this makes all the X-Men look (except Jean, but she’s dead), it’s GREAT drama. However, it will not be great drama if Matt Fraction does something silly like make Emma a double agent so she can be seamlessly reunited with the X-team. I want Emma back on the outs and being fabulously evil, the idiom in which she excels. Emma out; Cloak and Dagger in! A

Batman and Robin #2: So far, so good. GMo hasn’t gone looney tunes and taken Batman back to… well, R.I.P., though he’s very good at channeling his eccentricities into the undisciplined and dangerous Damien. In this issue we see what makes Dick not Batman – all those years of not wanting to be like him finally paid off, and Dick, while a great fighter, doesn’t command the respect and awe of those around him, especially Robin. Yes, this is the “kinder, gentler” Batman, and I hope Dick quickly figures out that is just not who he has to be. I think GMo is exactly the right writer to break Dick down and maybe build him back up. We know how he likes his heroes damaged. Bye, Dick. It was nice knowing ya. A

Buffy the Vampire Slayer: Season Eight #26: Done. D-

Unthinkable #1 and 2: After reading this and Mark Sable’s ridiculous line about “I feel my privacy is a small price to pay for educating the government about the medium.” I had to pick up Unthinkable. I don’t think I got it for the content necessarily, but to see if indeed what he wrote was worth his pussy statement of relinquishing his privacy to a government that thinks five-year olds are terrorists and nipple rings can be removed at will. I’m glad that his comics mean more to him than his privacy, but, really, fuck him. I can’t even imagine what he thought he taught them about the comics medium: that a page layout doesn’t have to convey chronological action? That characters’ speech and facial expressions don’t have to line up? That people can walk willy-nilly onto military bases and bully commanding offivcers into handing over equipment and weapons? Frankly, Sable needs to be taught more about the medium before he can teach TSA anything. D

The Tick and Arthur: The Complete Works TPB: Still fresh after all this time. Non-derivative. Quirky. Uncanny comic timing. Gentle mocking. Ninjas. This is the gold standard of indy comics. SPOOOOOOOOOOOOOOOOOOOOON!!!! A+

Detective Comics #854: Finally Batwoman! I have to admit I was a little nervous to get this comic at first because it’s written by Greg Rucka. 52 Greg Rucka (though to be fair, he wasn’t alone in that mess. Still, once bitten, twice shy.). Rucka’s story is lyrical, almost a song or part of an opera. If the art were in anyone else’s hands besides J. H. Harrison’s, the book would totally fall apart like a cheap red wig. For now, I’m hooked. A

Wonder Woman #33: I’m running dangerously close to giving Gail Simone Rachel Ray Face, so all I’m going to say is that this was another excellent read except the end was a bit to abrupt for me. One more issue to resolve the Genocide threat (or at least make its whereabouts more clear) and to really let Zeus and Ares’ plans unfold into a HUGE (well, HUGE-er) mess! Ah, well. B

Madame Xanadu #12: Matt and Michael’s Exodus Noir reminds me of the old Sandman Mystery Theatre – sort of dark, sort of sketchy, sort of fun, but always heading towards a horrible end for the titular character. Oooh, foreshadowing. A

Thor #602: Gods are strange creatures of inertia and folly, like really big rocks rolling down a hill. Or across the bottom of a river. I’ve yet to see any compelling evidence that they think anything through before they go off half-cocked and do it (yeah, I’m looking at you, too, Genesis!). Even the “good” ones let their goodness get in the way of accomplishing anything truly “good”. For example, moving all the Asgardians to Latveria – totally poorly planned. Keeping Loki around when no one trusts him/her – well, that just defies wisdom. Weird that the one mortal in the company of the gods is the only one who wants to actively squelch evil. A

Uncanny X-Men #512: My so far least favorite aspect of the team – The X-Club – heads back to the turn of the 20th century to find the parental DNA of the original Mutant X, and as it turns out, I didn’t want to burn pictures of Matt Fraction at midnight. If I had one complaint, it would be the “Hey, things in the past are just like they are in the present!” parallelism. One would think that someone would have known about an earlier Shaw who ran the Hellfire Club 100 years ago, but such is the spurious logic of comic book and time travel. In Fraction’s defense, even Joss Whedon screwed it up in Runaways. B+

Dark Avengers/Uncanny X-Men Utopia: About two months ago, Ben and I went to go see X-Men Origins: Wolverine, not because we had to but because we needed a mental vacation after a particularly stressful week. We were holding hands, waiting for hte movie to begin when six guys filed into the row behind us, sat on my far left and started speaking in Spanish about “the fucking fags over there.” Myself being half-deaf didn’t hear a word of it, but Ben did, and he was extremely uncomfortable. He wanted to move. I didn’t. And, long story short, I got my way. When the movie started these guys shut up, watched the film and left moments after the credits started rolling. Reading Utopia was kind of like that experience. For no really good reason, bigots feel it’s their right (or, Heaven help us, their god-given duty) to expunge “the Other”, demonize them, make them unwelcome. There are also assdancers like Norman Osborne who feel that they deserve to rule and have no compunction against throwing up (natural) “law and order” to get their way. I find this lack of Justice unsettling, which in turn makes me angry. Then I think about those guys at the movie theatre and wonder if they realized they were cheering for “the Other” to win, and if they know that they are seen as “the Other” just as Ben and I. Probably not. More’s the pity. And to Matt Fraction: the descriptive caption boxes are past their prime. A

Barack the Barbarian #1: Terribly unsubtle, but was a fun read. Lord knows that satire doesn’t have to be an épée, but more often than not, it’s a blunt and forceful cudgel. I have my own parody of Marriage Equality coming out soon, and it’s also terribly unsubtle (i.e., doesn’t follow the rule that the best parody is transparent), but in my own mind it could have been better. Next time. B-

Had the above poster been the official one for Transformers: Revenge of the Fallen, I would have applauded it for its refreshing honesty, not only for the movie itself but for the state of high-action summer blockbusters dating back to Independence Day (yes, I know that wasn’t the original summer blockbuster, but it was about the time if ID4’s release that the “bigger, badder, louder” idiom took root). However, I would also say that the poster’s tag tag line – “More ALIEN ROBOTS, bigger EXPLOSIONS, and much much more MEGAN FOX” – unironically states exactly what’s wrong with the movie. But you don’t have to believe me. Here. This is the movie summary from where I found the poster (my suggestion is to NOT click on the link because it’s one of “those sites” that give off a bad vibe, like perezhilton.com or boysfrombrazil.com. I include the link only for citation purposes.), which I found to be just about as clear as the movie itself:

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This may be the most accurate portrayal of what it was like to watch ROTF I’ve come across. Yeah, yeah, Roger Ebert was pretty clever with his “choir of hell” analogy, but he didn’t really capture the sense of what it was like to be sitting in the theatre watching the mess that was ROTF unzip and shake its privates at us. Metaphorically speaking. Except when I’m speaking literally.

There’s nothing like standing next to a child to really throw a situation into sharp relief. Things that adults don’t think twice about – the little slights of daily life – suddenly become large and vulgar displays of callousness when a kid is in the picture. So, thinking “ROTF is only PG-13; there may be a few things we need to explain, but surely we (my brother and I) can take Dominic (my five-year old nephew) to see it.” Dominic loves Transformers, and this was my special treat to him before I left PA to go back to Texas. A “treat” for which I will feel forever guilty because of how MISLEADING the PG-13 rating is. I was genuinely humiliated to be there, thinking about how we were going to have to have a Talk with Dominic after the credits rolled. Frankly, if it weren’t for the fact that we suspected Dominic didn’t “get” some of the
things that happened and was there to see his favorite bots “live”, I would have walked out as early as Megan Fox’s first appearance: a completely unnecessary 20-second shot of her dry-humping a motorcycle.

Not that there is anything wrong with sex. Given a choice between sex and violence in movies, I’ll go with sex every time over violence. HOWEVER, the sex in ROTF was there to be sex in ROTF and served no other purpose than to be there on the screen, pandering to fanbois (as in “I’ve never known the touch of a woman and therefore have no idea what real skin should look like”) and those who like it gross (multiple shots of humping dogs, John Turturro’s fleshy ass, a bot humping Megan Fox). Lord knows I think that the ass-shot in Orgazmo was hilarious, so I’m not above this kind of thing, but Orgazmo was rated NC-17 and was not an action film with a toy line geared for kids.

Sex aside, what else made this movie an incomprehensible mess?

First, I cannot believe that the language in the movie (when one can understand it through the explosions and screaming) is pg-13. “pussy”, “asshole”, “shit”, and I SWEAR someone said “fuck” – these are now PG-13 standards? And while it’s not language per se, is there ever going to come a day when people stop using phrases like “Not on my watch!” and
“NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!”?
Because, trite much?

Second, there are way too many bot on the screen, most of whom go unidentified. What’s the point of that?? I wanted to see the Autobots (yes, i’ll admit here that i was not dragged unwillingly to this film) and Decpticons go at it, but who were some of these guys? and why include new Minicons like the Pretender or the the kitchen appliances gone bad? Why does it seem that the Decepticon numbers flourished over the years, yet only a few Autobots made it to earth? And where the hell did Starscream find The Fallen after 19,000 years on earth??

Third, one cannot get from Giza to Jordan and back to Giza in under a day in foot. It even took the Israelites forty years. Also, one cannot see Giza from Petra. Nor should one be in CA in one scene and in Princeton two scenes later. It reads funny.

Fourth, it’s not just the racism which is a popular kvetch. It’s every ass shot, vixen is a baby-doll dress, scrotum joke, gay image, dog-on-dog action, famous midget cameo, and unfunny bit of toilet humor and crass imagery. And the mystery is, was this something the director did or was it something the writers did? I personally see Michael Bay’s handiwork in it (especially after watching Armageddon last night and realizing bay has become a WORSE director over the years, adding in nonsense that has nothing to do with the plot and certainly had nothing to do with good story-telling.

Fifth, when, oh when, will Sam just tell… uh… what’s-her-name that he loves his car way more than he loves her? And tha Bumblebee’s cooler in every imaginable way than she is?

And is it me, or is Megan Fox just. not. talented? At all. Not that Shia LaBoeuf is any better.

Sixth, say it with me a la Wanda Maximoff, “No mo’ slo-mo!”

I’m sure there’s more to kvetch about, but the horrible thing is that this could have been a better movie – one can see it in moments when the plot rears its enfeebled head between the crassness. Sadly, ROTF was “Bay-icized” before it would be that movie. I’m waiting for some talented SOB to re-cut ROTF into a watchable film a la “star wars: the phantom edit”, then show it to my nephew and hope he forgives me.

World of Krypton #3 and #4: Beyond the misleading covers. Beyond the non-surprise of Zod being a bastard. Beyond the attempts to make Alura sympathetic. Beyond the status quo changing event of a New Krypton. Beyond the Guardians wetting themselves in anxiety. Beyond all that, this is a Superman book. And wherever there is Superman, Superman is there. B-

Batman & Robin #1: After the whole Final Crisis extravaganza, I was more than a little unwilling to pick up a GMo book so soon, especially for a character I haven’t read since I was 11 or so. However, this seems to be the year when DC lures me into all of the Big Three books, as Batman (formerly Nightwing, formerly Robin) and Robin (formerly some bratty kid who needed a spanking way earlier in his life than he got one (there is a reason why it’s called “child-rearing”)) terrorize the poop out of Gotham City’s criminal element. And I like it. The characterizations are strong. The art.. well, let’s talk about the art. Frank Quitely’s style is immediately recognizable, even if you don’t know his name, and there are cams on the goodness and badness of this statement. It’s been said that his people are nothing more than sandbags topped by shrunken-apple heads. It’s also been said that he gives 3+ dimensions to otherwise flat pages. I’m in the camp of goodness. I haven’t been able to pinpoint what it is, but it is there. Seeing Batman and Robin leap out of a flying Batmobile, through the Bat-signal, and dazzle Commissioner Gordon as they land atop Police Headquarters was beyond “good enough” for me. A+

Ultimatum #4: I honestly cannot remember why I picked up this issue after calling the series “splatter porn” last month. I was so truly, deeply repulsed by the over-the-top imagery that I figured I was finished with it. Well, apparently not. And I truly don’t understand this purchase because I’ve never read any other Ultimates book in my life, so there’s no investment here. Maybe I’ve grown insensitive to it, or maybe I’ve become fascinated by it. Whichever the case may be, I’ll finish the series off next month. I will say this, though: in terms of multi-issue cross-over “events”, this is one in a great long while in which the core book is a perfectly clear story in and of itself. So, props on that. B

Uncanny X-Men #511: I knew I wasn’t going crazy with the rapidity of X-Men’s publishing. This issue comes out only two weeks after the last, which is great because I was eager to see how the cliffhanger would be resolved. Is Jean coming back? Is Maddie going to get her first? Will Greg Land’s characters ever express an appropriate emotion in-panel? The answers, while satisfying, do unfortunately underline Matt Fraction’s one problem as an X-writer: the appearing and disappearing cast. And with the addition of one more character – and a well-beloved one, at that – he’d better learn to juggle better. A-

X-Men Forever #1: X-Men forever is like a long-lost reunion with a beloved ex then realizing there’s a reason you’re exes. F

New Mutants #2: I don’t like where this is going. Say “NO!” to Legion being a new team member, and “YES!” to the return of Rahne Sinclair!! A

Buck Rogers #1: Yeah, you really can’t go back home even if home has righteous art and an otherwise tight story. This may be the antidote to Sci Fi’s Flash Gordon (gag), but it still didn’t do it for me. Sorry, guys! C-

Madame Xanadu #11: Last month I said I wasn’t going to get this issue unless Michael William Kaluta’s art somehow drew me in. It did. That being said, it was a grudging attraction. Kaluta’s art is solid, but when one compares it to his work on Metropolis or even his cover to Doorway to Nightmare #1, it’s not as complex as it used to be. Crafted lines are replaced with defter lines, but something is lost, much like P. Craig Russell’s art of late, which doesn’t stand up to his Elric of Melnibone graphic novel nor his early Doctor Strange. It’s still better than most art one can find these days in comic books, but it’s not as KALUTA as I expected it to be. Matt Wagner finally stops Nimue’s century hopping (still too truncated for my liking), and immerses her in the Age of Heroes (was that you I saw running down that hall Mr. Sandman?). In this first part of “Exodus Noir”, the queer murder of a well-to-do Gothamite brings Madame X onto the case as the clues point to a supernatural murderer. Matt Wagner has me along for this arc, for sure. A

Wonder Woman #32: The war against Genocide continues and if one thought it couldn’t get worse, well, it can and it does. The brilliance of Gail Simone’s work here is in Genocide bringing the pain Diana herself has caused her friends and lovers to the surface. More than that, Simone makes it clear that this is pain that could have been avoided had Diana abandoned her principles of Peace and Understanding (though lying to Tom these several months hardly seems like an expression of either) and gone to War with Casualties against Ares or the Cheetah or Dr. Psycho before there was so much collateral damage. Here is the heart and soul of being a hero: does sparing her enemies, granting them mercy that they do not show Diana nor her friends in subsequent encounters make Diana in part responsible for this pain or do the villains take full responsibility because they rejected mercy and refused to learn “a better way”? More than that, how far is Diana empowered to go to make the world a peaceful and loving place? All the way to War Against the World? Ah, well, that’s why we have the Olympian, the Anti-Diana, in the wings. As ever, BRILLIANT STUFF! A+

Buck Rogers #0: It’s a shame to see heroes grow old and serious and have their magnificently hairy chests and feathered do’s covered with glow-y, space-y vinyl. Granted, I grew up with the hyper-campy and overly sexualized, post-disco version, so my take on Buck Rogers is probably one tainted by… well, hairy chests, feathered do’s and bad dancing, but I’ve always felt that there was some connection to the source material, even if the stories (and fashions) were modernized (and inundated by sequins). That said, my disappointment with Dynamite’s (previewed) iteration is that Buck is pulled away from family and friends to points and times unknown to a “thrilling beginning” in issue #1. WHY?? What I liked about the stories were the interactions of the characters and the strangeness of life on 25th century Earth for Buck (and those of us who followed his adventures). And while Buck’s disorientation wore off after a while (as well it should; did you see what happened to Wonder Woman when Jodi Picoult pulled that “Stranger in a Strange Land” shit?), there was always a new surprise that he and his friends had to find their way around. Without his friends, who is Buck Rogers, and will I care to find out? C

New Mutants #1: I missed this issue two weeks ago while I was busy getting ready for finals, never thinking it would be sold out all over Austin. Luckily, in Erie I was able to get the variant cover (unluckily, at a substantially higher cost) and (back to luckily) was thrilled that the story of my beloved mutants was in capable hands. Sam is just a goofy and amiable as ever, Roberto is just as cocky; however, the women suffer from a sort of “one voice” lack of characterization. I was unable to distinguish Shan from Dani from Amara. Illyana had a stilted, contractionless formality to her words, but if you, Dear Reader, can think of a positive spin on “stilted”, I’d love to hear it. Words aside, the story jumps right in and keeps paddling all the way to the end of the issue. Seeing Sam and ‘Berto stick up for Illyana against the EXiles took me back to the original team’s bonds and adventures. Great start to the series! B+

Dark Reign: Young Avengers #1: This issue requires a full-on essay to properly spelunk the depths of its awfulness. Coming soon to a CPB.com near you! F

Uncanny X-Men #510: I swear UX-M is coming out faster and faster these days. It cannot have been a month since I got #509, yet here’s #510 in my hands. It can’t be an illusion because Greg Land’s boobtastic tracings are all over cover and I can guarantee you I don’t dream of four-color breaticles. I have to hand it to Matt Fraction this month. He’s really starting to pull his moments together, making them tighter and more integral to plot… well, “fight scenes”, and at the same time driving the story forward. So, props to him. Let’s hope he continues and starts to draw in better “at home” moments for our favorite mutants. They can’t fight all the time (nor party), so when an “X-Family” story comes around… OH! Pixie has got to stop enchanting Sihal Novarum Chinoth or every time she appears/disappears. It’s distracting and odd, to say the least, and never properly framed. She does, however, do an excellent Wolverine impersonation. A-

The Trial of Sherlock Holmes #1: I haven’t read a Sherlock Holmes story since I was a sophomore in college, and even though I was just in Weird City Theatre’s production of William Gilette’s Sherlock Holmes, I’m not really qualified to say what makes a good Victorian mystery story. But, hey, has that ever stopped me before? Sherlock Holmes is a classic butt-head. He has a smart (and usually correct) answer for everything and explains himself only when it’s means he can call someone an idiot. Moore and Reppion’s Holmes is a bit more mellow than that, if only to make his plight at the end of the issue more sympathetic. I personally would have liked to see him fall from a considerably higher height. Tragedy is judged solely on the loudness of the splat at the end, and while we can feel fear for the plummeting character, feeling bad for him is like a fireman’s blanket a few feet above street level. A-

The Complete Dracula: Dracula is Dracula, so the story isn’t all that surprising (one would hope). What is surprising is the care with which Moore and Reppion pace the story. This isn’t Comics Classics Illustrated! There are no leaps and jumps, no inexplicable expurgations, no “one panel explains all” condensations. In brief, this is not a summary, but an actual well-told story. Colton Worley’s photo-realistic art adds to the moodiness of the book. Excellent job! A+

Wonder Woman #31: This past weekend, my boyfriend and I were talking about how vigilante justice seems to be the way to go at times, and why hasn’t the Earth produced its first superheroes yet. We also picked out what kind of superpowers we’d like to have if we happened to be so lucky – he wanted telekinesis because it can be used for all kinds of practical purposes (throwing, slamming, holding, choking, flying, et al.) and I wanted telepathy because it’s the mental form of telekinesis. He looked at me and with a seriousness that was appropriate for the conversation, he said, “If you were telepathic, we wouldn’t be together.” When I asked why he said that he would always wonder about how I knew what I knew or if he were really feeling what he was feeling. Before I got too hurt, I thought about it: how could any person be trusted with an “X-power”? Is anyone that morally upstanding that they could forgo cutting corners or making life a little but easier for themselves? Could all X-Powerful beings follow a unified moral code? Diana may be flawed, and she may have made mistakes (without referencing Max Lord again, certainly cutting off the Cheetah’s tail last issue was a bit beyond the pale for her), but she’s still morally superior to most people. And gods. And Olympians. A+

Final Crisis: Legion of Three Worlds #4: Thinning the herd. Again. However, I don’t view the killing spree as being the wanton holocaust that was GMo’s Final Crisis (or indeed any DC comic title from the last year or so) because these characters’ death caused me actual outrage against Superboy-Prime and not Dan Didio or whatever lame storywriter was wielding the axe that week. Bloodshed aside, the return of “our boy” made me go misty. I’m jumping uo and down in my chair for the next issue; who’s agenda is going to win out – Superman’s rehabilitation of Superboy-Prime or the freshly minted Superboy kicking Superboy-Prime’s ass to Oa and back? A+

Madame Xanadu #10: It looks like next month Madame Xanadu will inflict her issues with men on the world at large instead of keeping it to a select circle of friends, lovers and co-dependent fantasies. One would think she’s be just as jaded towards women since it was her sister who caused her life to spiral out of control in the first place, but judging by the title “My Father’s Keeper” it looks like Nimue is going to be the mystic Gloria Steinem of the DCU. Next month will see Michael Wm. Kaluta taking over art duties, for which I am very excited. B

Uncanny X-Men #509: Didja see the size of Psylocke’s udders on the cover? I mean, one would have to have Power Girl wallpaper and life-sized cardboard stand-ups to not notice, so perhaps a better phrasing would be “When did Psylocke become enormbooblous?” Jesus, Land. I swear, someone needs to send me the reference pic for what happened to Emma Frost because I’m starting to think this was drawn from his own imaginings which puts him firmly in second place behind Mark Millar for the “Creepiest Asshole in Comics” title. Tracings can be forgiven (to an extent, and this is pushing it), but out-and-out S&M fantasies are getting into… whatever comic company publishes porn beyond Class Comics territory. Double Jesus, Land. Rumors around the Internet say that Madeline wants Logan to find Jean Grey’s body to inhabit, but I think she wants Logan’s body. Who better to live forever inside since he just keeps rejuvenating? B-

Supergirl #40: Beyond Reactron’s ham-handed “I lied to you the first time we met. Supergirl.” – and really, what was the point of this? There has to be a ton of better ways to change continuity than to just say, “Ha ha ha! I lied!” Yeah, he’s a villain and all, but why “confess” at this moment? And as a villain, can his confession be trusted? Wouldn’t it have been easier (and possibly cooler) to have his “starsuit” grow unstable and.. I dunno, create a micro-black hole that could destroy all life on Earth? That took me ten seconds and now I have a three issue story-arc for future use. Weird. – I enjoyed this issue, even the revelation for Superwoman’s identity, which some claim to have seen coming “miles away” (but never mentioned it until after the issue was published, so, yeah, I’m calling shenanigans). I’m not sure I’ll continue reading Supergirl beyond the next issue once spoiler alert! L.L. spells out her and daddy’s diabolical plan to make the world a safer place from aliens (and is that a U.S./Mexico metaphor the way the X-Men titles are a gay metaphor?). Unless, of course, a micro-black hole is coming in the near future… A

Detective Comics #853: I think if Buffy had been told at the end of her life in Season Five that her reward for being The Slayer was to be The Slayer, she would have cocked her head, pouted sarcastically and said something clever like, “So what you’re saying is you forgot to get me a present and this is the best you could do at the last minute?” Batman, whichever Batman we are reading about here, if not actually all of them, isn’t that snappy with the retorts and actually seems content with the results (at least he didn’t complain too hard). Gaiman’s follow-through on this story is better than he’s had of late, managing to hit a ton of high notes in this Batman’s swan song (including an appearance by the original Batgirl, a fave character of mine!), but ultimately, I’m going to take this story in the same vein as The Last Galactus Story and not worry about continuity. This time. A-

Thor #601: Ah I was hoping that Loki was going to tease the I’ve-Got-Sif’s-Body-and-Nobody-Likes-Me evil plot out a bit longer, but i suppose he knows what he’s doing because, after all, he got Balder to relocate every Asgardian (and one very love-struck Kansasian… Kansasite? Kansasist? Whichever.) to Latveria where Doctor Doom will welcome them all, but not feel obligated to treat them as anything other than refugees. Apparently all Asgardians except Loki like having one sovereign to rule them all. Who knew? And yet, I don’t find this to be a fault in JMS’ writing; I find it to be a fault in the characters of the Asagardian, because I totally believed that they would do this. They may be gods. but they’ve never been the deepest of thinkers. Except that Volstagg. He’s like Aristotle levels of deep. A

Kick-Ass #6: I’m waiting for someone to glom onto Mark Millar being a conservative asshole because of what he said about Democrats being baby murderers and murderer lovers, because I’m pretty sure that’s the reaction Millar wants people to have. Then I want to see the shitstorm that kicks up as people get mad at him and he laughs because he wanted people mad and he got what he wanted. I dunno. I’m still torn as to whether this guy can write or if he can just write to provoke people’s baser emotions. I also ask myself if I’ll go see the Kick-Ass movie when it comes out this summer (or whenever). I see it as a Die Hard meets American History X sorta cowboyish affair. We’ll see. B

World of New Krypton #2: Apparently, in all the Universe, the only one who didn’t know that they Kryptonians were a race of arrogant war-mongers was Superman. Even the Guardians on Oa are more surprised that there’s a planet in synchronous binary solar orbit with Earth than they are by Kryptonian military build up (and doesn’t that sound like the beginning of a commercial for Krypto Drain Cleaner™?). What saddens me is remembering the statue in the Fortress of Solitude of Jor-El and Lara holding Krypton aloft, bigger than life and smiling like lunatics. Who were Kal’s folks? The crazy hipppies down the block who wanted peace and prosperity for all peoples of Krypton or has Kal been completely mistaken about them from the beginning? If Zod can call hostage-holding a “brilliant improvisation” to a police situation with no one batting an impervious eyelash while Kal finds a humane solution to dealing with rampaging thought-beasts then Rucka and Robinson have a ton for material to mine over the next year or so. A

Action Comics #876: I really hate female super-villains. First of all, I think it’s undignified to see them acting like harridans. Call me old-fashioned, but, evidence to the contrary, I believe in the inherent superiority of women, and evil ≠ superior. That and writers have a habit of reversing them to simpering messes when the tides turn against them, like common bullies. I have no idea which upsets me more. Still, Ursa didn’t get half the thrashing she deserved in this issue, and though I’m certain Christopher should have cut her just a little, I was gladdened to see him say he shouldn’t because “Superman wouldn’t.” If one thing threw me out of the issue, it was the destruction of part of the Fortress of Solitude (and how many times has it been destroyed? Why can’t superheroes have nice things?). Since when is it a woven lattice of crystal? Way awkward-looking. A-

Uncanny X-Men #508: Ah, Greg Land! How your love of porn has transformed the X-Men into a team of over-expressive whores is nothing short of brilliant! Next, I highly suggest you break into “someone’s” stash of gay porn (which, given the hyper-sexual and somewhat exploitive portrayal of your female characters, I believe you have hidden in some dark, shameful corner your basement) and tackle the guys next. We’re all waiting to see Jean-Paul’s compass to point to True North. Beyond that, I’m happy to see Matt Fraction back in his terra cognita: guns blazing and people getting eviscerated by impossibly large swords. After the last three meandering issues of “Petey’s Pity Party” in which nothing happens and Petey really doesn’t learn anything he (and we) didn’t already know (what’s the opposite of dramatic irony?), it’s nice to see the plot pick up and start rolling again with the return of Spiral (my many-armed girlfriend) and the Beaubier twins. I didn’t like Jean-Paul’s dig at Alpha Flight (however true it may have been; I mean, really, “The Master of the World”?) just because Fraction can only hope to write something as cool as the original Alpha. A-

The New Mutants Saga: This is nothing more than a re-cap of all 100 issues of The New Mutants, but it beautifully illustrates the exact moment when the series jumped the shark: the introduction of Bird-Brain. It also graphically shows that Rob Liefeld is personally responsible for delivering the killing blow. Hopefully, the new series can avoid these problems and just tell good stories. *fingers crossed*

Justice Society of America #25: If I have any criticism of this issue, it would be the logic of who’s to blame for Mary Marvel and Isis’s corruption. Everyone seems to blame Black Adam for his transferring power first to Mary Marvel and then to Isis to resurrect her; Mary then bestowing Billy with some of her power. I’m just uncertain as to why Mary is in her Final Crisis costume. I always thought that the lightning was a catalyst for the transformation, and not itself good or evil, nor even corruptible. Though seeing Shazam lose his poop is probably an indication of how wrong I am. I do, however, like how everyone has been reset back to their true personae, even if the Marvel Family is no longer the Marvel Family. I hope they get their own title soon under the hands of a capable writer. A

Madame Xanadu #9: OMG was that a boobie??????? I guess after a thousand years or so even magic users get itchy Down There for some wand-in-hat action. Two more Golden Age heroes run tangentially to Madame X’s complicated history with the Phantom Stranger – The Spectre and Zatara. I think MX and PS need to just have a good, old-fashioned grudge-f*** and get it over with. Or at least get on with it; the wheel-spinning conflict is starting to wear a bit. He is, after all, already tied up. Amy Reeder Hadley’s art continues to impress. My big fear is that she’ll be replace by someone less apt and that the charm of these stories will be lessened somewhat. When it comes to the “Which is more important in comics – the story or the art?” debate, I fall on the “You can’t separate them out like that, idiot!” side. A-

Buffy the Vampire Slayer: Season Eight #24: While a good story, it’s another month spent doing character exposition and not really making any headway in the overall story. I was hoping by this time we’d learn why Buffy and Giles are on the outs, to say nothing of what Giles and Faith have been up to in the search for “Twilight” (Buffy’s “Twilight”, not the vampire “Twilight” of the vampire “Twilight” books and movie. Totally different vampires from Buffy’s vampires and “Twilight”. See?). And apparently hair buns are the new “evil” trope for women, paralleling bald, bearded men. C

Wonder Woman #30: Contrary to widely-help opinions, Diana’s rage makes perfect sense in this issue, and the Genocide storyline has in no way run its course and should not be ended. In the aftermath of Genocide’s merciless attack on the Princesses of Themyscira and the Justice League and the kidnapping of Etta Candy, it makes perfect sense she would “declare war” on the Cheetah and her pawns. And even though she says it in anger, I really think she regrets the necessity of cutting off the Cheetah’s tail in order to extract information form her of Genocide’s whereabouts. I have to admit though that there must also have been a certain satisfaction to that last bloody bit of violence to say nothing of kicking the ass of everyone in the DMA. Of course, I may be projecting. She is, after all, a comic book character. The Olympian is still a minor concern here, but once he’s revealed, I wonder if he’ll be getting his little boyfriend back anytime soon. Yay gay Greeks! A

Superman #686: Apparently parallelism has hit the halls of the Big Two as yet another title does simultaneous contrasting. I have to say, it’s better here than it was in last month’s Wonder Woman and last week’s Uncanny X-Men, but it’s already in danger of becoming over-used. In this issue, Princess Diana goes undercover as a special super-human policing agent in a department that is mistrustful of super-humans in general and Amazons in particular. She somewhat awkwardly adopts a human life, but is always at the ready to transform to Wonder Woman when an emergency arises. Wait. Strike that. Replace it with “Mon-El.” B

X-Infernus #4: I saw Neil Gaiman speak in Austin for the release of his book Anansi Boys. He was in a bitchy-gossipy mood that day and gave the crowd some insight into the Beowulf movie (“In a fit of typecasting, Angelina Jolie will be Grendel’s mother.”) and MiracleMan (“”So I asked Todd if he would just do what the court told him to do and he said, ‘I’m fuckin’ Todd McFarlane, man, fuck. I don’t gotta. Fuck.”) and how he’s always surprised by how expensive American comics are when, essentially, nothing happens in each issue. Funny guy. In essence, this is what the conclusion of X-Infernus suffers from – a whole lot of nothing. I counted 22 pages of a rather uninspired End-of-the-World scenario that actually occupies about five pages of actual action. Illyana has feared the release of the Elder Gods since 1982 and they get almost no panel time and certainly don’t seem to be the threat they’ve been made out to be. The last page shows the new New Mutants cover, but with Rahne, Doug and Warlock in the ranks. Retcon or Retro-chic? We’ll find out in May. D

Supergirl #39: Supergirl’s failure to capture Reactron and bring him to New Krypton earns her harsh (and ironic) criticism from her mother (delivered non-ironically). Kara finally wakes up to the idea that maybe her mother isn’t as Sally Field in Brothers & Sisters as she’d like to believe. This Kara Zor-El isn’t the same as the one that died ages ago, but she’s starting to grow on me. Insanely tight asses on women aside, the art is pretty good as well. B

Ultimatum #3: Ugh. More splatter porn. When did Jeph Loeb become Mark Millar’s apprentice? C+

Uncanny X-Men #507: Last week’s Wonder Woman and this week’s X-Men should be viewed as cautionary tales about parallel storylines and how not to do them. There should be a seamless, almost cinematic cut between the panels of the respective stories, and certainly parallel action and words. Sadly, while Matt Fraction’s words were close to the mark, the Dobson’s artwork was not. The overall effect was somewhat herky-jerky, and distracted from the flow of the plot (not that very much happened in the first place). Oh and shocker, Magneto is back. Can;t move on from him in the movies; can’t move on from him in the comics. Guess Jean Grey will be lighting up the Universe again pretty soon. C-

…about Frater Mine. The guys over at Comic Book Queers discussed FM during this week’s podcast. It’s towards the end after an excellent discussion of Cloak and Dagger (my tied-for #2 characters after Magik). Give a listen here:

I’m really embarrassed about the reference to the “Mary Janing” I did in the book. I try to own it, but looking back it just seems like lazy writing. Like Twilight. I know I’m not the only one to do this, but I’d like to think that I’m not a lazy writer. Well, at least I’m working to make the characters less like people in my world. Even if Matt does have a twin brother and adorable nephew…

Normally, I try to get “That’s My Bag!” weekly, but I’ve let it (and my grading; sorry, students!) slide for more… personal matters. I’m catching up in a few weeks of comics here, so everything will be brief. I hope to make this feature regular again, especially since this week is SPRING BREAK!!!

Supergirl #38: She’s on Earth; she’s on New Krypton. She’s an outlaw; she’s a bad daughter. I see another “Who is Supergirl?” story arc coming up soon. B

Superman #685: I’ve always loved Mon-El (though not as much as Kal-El does, apparently), so I’m glad to see him taking on a new Kent identity. I didn’t like to see him leave Ma Kent in the hands of another care-taker. A

Action Comics #875:Well, it’s not Conner (dammit) but the new Nightwing’s identity is still a great surprise, as if Flamebird’s. I’m going to like seeing these two in this title over the next year or so. A

World of Krypton #1:

Justice Society of America #23: Oh naughty Isis!! A

Justice Society of America #24: Shizzman! Mary Marvel goes Dark. Again. So, is JSA caught up with the Final Crisis timeline while the rest of the DCU isn’t? A-

Wonder Woman #29: Sadly, Zeus plays too large a role in this story for being as large an assdancer as he is. However, without these scenes we wouldn’t know how dangerous the Olympian is going to be. A

Madame Xanadu #8: Green Lantern. The Demon. Who else will be shaped by Madame X and the Phantom Stranger’s machinations? The story is still fun, but I’d like to see more “the future has taken root in the present” moments. B+

Buffy the Vampire Slayer Season Eight #23: Who is driving this story??? Because we’re off-roading here. D

Uncanny X-Men #506: The issue is totally transitional and not necessary to buy. C

According to a recent interview, Neil Gaiman wanted Henry Selick to do a stop-motion adaptation of Coraline even before the book was released to the public. Gaiman said that Selick’s first draft of the screenplay was “too much like the book and we needed to expand it.” And my question to that is “WHY???”

At its heart, Coraline is a fairy tale, and to have watched Selick’s meticulous work in driving a stake into that heart was at times more than I could bear. Maybe I’m being a purist, not only for the book itself but for fairy tales in general. As metaphors for growing up or lessons on leading a good like, fairy tales need only the hero to get their point across, mostly that life is a solitary adventure and that one is totally responsible for one’s own actions. They may not always start out capable, but by the end of their stories, fairy tale heroes (usually) accomplish their aims and have become clever and apt. If this is so, then why did Coraline herself have to be less capable in the movie than she was in the book? Why did she need Wybie to help her execute her less-than-clever plan at the end? I really disliked Coraline’s coming into her own being shoved aside like that for… what? The sake of having a sidekick-cum-knight? The boys in the audience who think girls need a boy’s help? For girls who thought they didn’t need a boy’s help? For a man who makes his living by writing good stories, it’s amazing to me that Gaiman willingly lets others treat them this way.

This is not to say that I didn’t enjoy the movie. I did. Seeing the puppets move, their hair ruffle, their bodies jump and twist, and knowing the time and effort the stop-motion animation process requires was stunning (even moreso in 3-D). If I had a complaint at all (beyond the above), it was that Teri Hatcher was Madea levels of mad as the real mother. So much so that I thought the movie was going to be some kind of reversal of the book, much the way Gaiman took on Snow White in his Snow, Glass, Apples. Sadly, I was instead forced to watch an intolerable (and at times violently uncomfortable) mother-daughter dynamic that begged for court-ordered emancipation. Why Hatcher went to this extreme and why she was permitted to do so is a question I hope someone will answer one day.

All in all, had I not read the book, the movie of Coraline would have been satisfactory, but like so many adaptations of popular books, the movie doesn’t live up to Gaiman’s written words. And it’s his own fault.

Batman #686: I only managed to read Batman the first night after comics shopping because I was busy with play practice and dating interests. I also chose this to read because it
was written by Gaiman, whom I adore, but whom I’m also beginning to see wane a bit. I like the set up, but of late Gaiman’s set up hasn’t been the problem with his work; the problem has been the
pay-off (seriously, I still can’t believe The Graveyard Book won the Newbery). I’ll wait ’til next issue (apparently the last Batman comic) before I decide how successful the story was or wasn’t, but for now, I’m intrigued by the dream-like presentation (of course. How else would Gaiman write a DC story?) and Andy Kubert’s expressive art. A

Action Comics #874: One of the most striking scenes in this issue was Superman in the Fortress of Solitude looking at pictures of a long-dead and somewhat idyllic Krypton. He laments that for years he had an idea of how his home planet must have been – maybe mostly through wishful thinking – but now facing the reality of being descended from a race of militant jerks he feels lost. I share that feeling with him. The Kryptonian race may have let itself be destroyed, but their darker side was never hinted at. A close runner-up is Mon-El telling his BFF Kal-El that he would prefer to die with him that be voided in the collapsing Phantom Zone. Awwh! Pablo Raimondi’s lines are wonderfully expressive and fun. Light bodies fly through the air, topped by dark, heavy faces. A

X-Infernus #3: With the conformation that there will be a new New Mutants series (how it will fit into general continuity remains to be seen), the return of Illyana Magik wasn’t too unexpected in this issue, but it was still welcome. And, dammit, she’s all these years older and still the head-strong and brash teenager from her days in the New Mutants. Still, I can’t help but love her. Of all the X-Men (aside from the original, non-resurrected, self-sacrificing Phoenix), she ranks as a true tragic heroine. Sadly, with one issue left, I fear she may go the way of all tragic figures. A-

Thor #600: I could have done without the backup stories, mostly because I’ve seen them all before (I think they were in a one-shot called Tales of Asgard from back when I was in high school) and they did nothing to add to the 600thness of this issue. I’m torn on how I feel about this issue. I like how JMS keeps up the characterization of the Asgardian and Kansasian folk (which must be incredibly difficult in the former’s case; it would be so easy to drift into (no offense) Lee-Kirby staunch declarations riddled with “thees” and “thous” and turn some pretty speeches into vaudeville), but that seems to be going away with Thor’s banishment from Asgard. And wasn’t he banished before (like, 1950’s “before”)? My fear is that the imaginative gold JMS has put into the story – Asgard in Kansas, the transsexual Loki/Sif, Thor as a diplomat (now outlaw?) – will be lost if Thor goes his own way. By the way, why does Thor have an uruz rune on his belt? B+

Secret Six #6: WTF?!?!? The MAD HATTER?!??!?!?!??!?! He’s the one behind all this? I’m pretty disappointed by this, mostly because I only remember the Mad Hatter at the guy from the Batman TV series who had a hypnotic eye pop jack-in-the-box-like from his top hat. He seemed more goofy than mad. Maybe it was my attitude this week, but this was my first of the two “meh” titles I picked up. Normally, I like everything Gail Simone does, but too much time was spent on Deathlock, the least interesting of all the characters, Yeah, he gets to betray his friends and all, but the “I’m just being the scorpion” line rang so false, the way Catman told Batman that they were going to kill each other one day, weren’t they? For being such C-list characters, the Secret Six don’t lack in ego. C

Legion of Three Worlds #3: This issue has a HUGE cast that is almost impossible to follow unless one has been a fan of The Legion for the last two decades. But who cares?? Geoff Johns and George Perez have all the nuances down for long time Legion lovers to debate and spar over, while for the rest of us, they deliver an issue with no less than three goosebump-raising moments (especially the last on on the last page). Superboy-Prime, get ready to be spanked! A

Buffy the Vampire Slayer: Season Eight #22: The “meh” continues strongly in this issue, ironically called “Swell”. Don’t get me wrong – the banter between Kennedy and Satsu is right on the mark (especially, “Your eval’s SO getting a smiley face!”) but the main point of season eight is getting lost in all these side stories. The stories are great in and of themselves (the cartoon episode TOTALLY not included), but they don’t contribute to the tension I should be feeling by now. C+

Runaways #6: This may be my last issue of Runaways. Not that there’s anything wrong with it per se, but there’s nothing all that exciting about it either. The pay-off at the end of this arc just didn’t move me the way it should have. C-

Final Crisis: Revelations #5: If I came away with anything from this series, it’s that God cares, but is a firm believer in tough love. I also came away thinking that Rucka believes God to be a right bastard for putting people in impossible situations and expecting them to find their own way home again. One need only look at Radiant (somehow doing well here, yet not doing so well in FC #7) and her dwindling faith in God’s Infinite Mercy (which would be herself) to see this. As she prays for God to intervene and save everyone, there is no response. Nothing. Just Cain and Anti-life. Then the Huntress, The Question and Radiant’s rapist/murderers call her back from the brink by their selfless actions. Rucka seems to be saying that we find faith in God by the actions of others, which is a bit weak sauce for me (and Rucka, too, I imagine) because there are days when I want my immanenet and loving God to give me physical evidence that He loves me (and not in a “raped by a swan” kind of way). Still my favorite title in the whole Final Crisis crisis. A

Final Crisis #7:I sat down today and gave it my best shot to get through the last issue with maybe a glimmer of understanding with what was happening. And what I came away with was a hot, sticky pearl necklace that Grant Morrison blew all over me when he was done jerking himself off. But let me be specific:

1.) I’ll misquote someone from the GLA who said that there’s a difference between being spoon-fed a story and having to read the writer’s mind. I’ve read his Doom Patrol, his All-Star Superman, his WE3 and his run on the x-men, and have enjoyed them all. he has a talent for bringing new depth to characters and revitalizing tired stories. that being said FC was a just his next exercise in “how far can I go with the comic medium?” (and after empowering six billion people with super-powers, it was shocking to see that he COULD go further). I think this will be his Ulysses, and fanatics all over the world will begin writing their dissertations on this miniseries in relatively short order AND congratulating themselves on being so damn clever to understand Morrison. And part of me thinks it was his plan all along to be this divisive.

2.) Final Crisis was done in a vacuum. Whatever transpired here – people seeking temporary refuge on an alternate earth, a magic ward that repels evil on a planetary scale, Superman singing the multiverse back into existence (i think; he never really go around to doing it the second time, did he?), Wonder Woman somehow breaking out of the anti-life spell, Darkseid dying, the New Gods returning, Batman pulling a Spock-on-Planet-Genesis, universe vampires and the end of the Monitors – who cares? it doesn’t connect to anything that has been done or is being done or will be done. for that alone, Dan Didio should be horse-whipped for promoting FC as “the be all end all of DC crises.” As clever as it was supposed to be, it did nothing to change the status quo of the DC universe and remint it, shiny and worth some kind of currency.

3.) And before someone pulls out all the “metafiction makes stories better and causes your junk to smell like cotton candy and is better than regular literature” crapfest, I’d like to say that metafiction is
NOT a new phenomena. It goes back at least to the ancient Greeks. Authors have metafictional devices in their works whether they know that word or not, so please just stop with the “Morrison is too profound for you to understand.” He’s not. Saying “metafiction” just makes you feel better about yourself.

OMG! I just thought of what this was REALLY all about! It wasn’t DC’s final crisis, it was GMo’s MIDLIFE crisis!! I’m totally serious here. What better thing to achieve immortality by then to create a story that was supposed to be so impacting, so far-reaching (well… kinda; it was never referenced in any of the mainstream books), and the LITERAL last word in DC crises and then write it so that readers would argue about what was being done, how deep the meaning was, how revolutionary for comics to do something this PoMo (meh), write dissertations on it and speculate on what wasn’t in the text but what could be drawn into the story inter-textually! I honestly think that this was Grant Morrison coming to the end of his shelf life and then recreating himself with hair transplants, a sexy trophy wife and a penis-shaped car that goes from 0 to 120 in 10 seconds. Metaphorically speaking. Discuss. D-

Wonder Woman #28: And speaking of changing the status quo, the Olympians finally come to life in the DCU! Zeus creates a new island for his new race of men (dead men, but no one is perfect) with a mission to bring peace to the world by beating all warring countries into submission. Zeus… really doesn’t get it, does he? And, bless his heart, he’s so earnest about his Olympians and thinks that he’s going about this the right way, but it reminds me of the time he wanted to reward Diana by offering to penetrate her then got upset when she said “Dude, WTF?!?!?” I was hoping that Tom would be the Olympian (apparently that will be Jason’s “son”), but after this issue I see he’s 100% Amazon. And probably gay. A+

Superman #684: Superman is so damn trusting that he’s starting to look simple-minded. No wonder Batman makes fun of him. I was honestly hoping that after New Krypton entered a binary orbit around the sun that writers would take time to let tensions stew and come to a head again in a year or so, but writers are chasing it like my dog chases the ice cream truck. I love that this book has, like Wonder Woman, changed the face of the DCU in a way that if it’s nurtured and allowed to grow in an organic way (I’m giving you the hairy eyeball, Didio!) New Krypton could become a permanent fixture worth hundreds of stories. *fingers crossed* B

Manhunter #38: The end. *single tear* A+

Secret Six #5: Bane is by and far becoming one of my favorite characters in this series. I know everyone thinks Deadpool is sexy and Catman has a great butt (he’s my number two, but not for his butt (Ragdoll is number three)), but Bane’s complexity makes everyone else look like the chorus line. He claims a moral superiority to his fellows and has a compassionate heart, but when he ripped Aaron’s neck apart, I was in love. A

Action Comics #873: Aaaah! “New Krypton”. Now I get it. I was disappointed that the main conflict of this arc – bringing the Kryptonians who murdered some Science Police officers to justice – wasn’t resolved, but now there’s a new Baddie on the solar block that will need to be dealt with eventually, which I find to be the greatest change to happen in the DCU in years. It’s easily worth years of stories and plots in the hands of a capable writer. Sadly, Kara got shafted again in terms of characterization. That poor girl hasn’t known a moment’s rest even since she died during Crisis on Infinite Earths. A-

Final Crisis #6: I’m hard-pressed to know if this was camp or kitsch or what. There
were the oddly out-of-place silver age super-science moments with the Inerton and Radion; and even more silver age “shouting my thoughts out so everyone knows what I’m doing in the panel” lines like “It might take the last of my magical energy but I think I can stop her!”. Then I counted FIVE plots to save the world going on all of which involve cosmic-level technology and evolution? And finally Brainiac 5’s warning about his sentence becoming meaningless ON PAGE ONE was at once incredibly precocious and ironically too late. As far as the image on the last page goes, how can ANYone take a death in the DCU to heart anymore? Said death will be undone as soon
as The Question sucks the Earth through the cosmic soup strainer and brings us to the Fifth World. Guaranteed. Last issue was so good, but this issue was an unreadable mess. Again. D+

X-Infernus #2: I have a horrible premonition that Marvel is setting up Pixie to be “Magik Lite”, and as much as I like her character, I don’t love her as much as I love Illyana. Putting Pixie in a position to be the next X-enchantress will make her “Magik Zero”, a disservice to both women. That aside, the action and stakes (saving Illyana and Pixie’s souls) are ratcheted up a notch. A

X-Men Noir #2: Noir is dead. No matter how many times someone tries to resurrect it by pulling together the most superficial elements of the idiom, it remains corpse-like, as well it should. What made noir noir was the freshness of the cinema combined with a dramatic flair for hyper-realistic sensationalism. Making a comic book black and white, and peppering sentences with “dame” doesn’t capture the essence of the movement. X-Men Noir is… well, it’s just dreadful, which I saw in the first issue and yet came back to read the second, thinking I was missing something. Nope, I got it right the first time. The art is muddy. The dialogue is clunky. And the story is so dull that it put my cats to sleep. But worse than all that is the X-Men don’t fit into this story at all. I could see Captain America maybe being better suited for this “other wheres, other whens” iteration (I’m kidding; no one write that up!) but here the story always comes back to “these are the X-Men and they will go mutie on your ass”. There’s no urgency when they see their ends coming, because I know they’re going to fight back and prevail. I don’t feel the grittiness, the hard-heartedness nor the angst that should come with a good noir story. I wish I could say, “Nice try” but my real message to the creators would be “Pencils down, now!” F

X-Men #505: Matt Fraction seems to be having a hard time getting a hold of the X-characters and what they do. He has the mayor of San Francisco down pat (like her!) but his other plotlines – Angel and Beast tracking down geniuses to recreate the mutant race; Colossus tracking down something to hit; X-23 doing something to someone that involves their blood – are more about the prey than the X-Men themselves. This isn’t necessarily a bad storytelling technique, but when the whole issue is out of focus this way it’s just… well, boring. He also seems to be dropping transitional moments down a Claremont Hole. For example, the Beast is in a meeting with Cyclops, Emma and the mayor as the issue opens, then is off cornering a genius several pages later with Dr. Nemesis and Angel in tow. It reads like there are two Beasts on two separate missions- one in the mayor’s office who is doing fuck-all and is completely superfluous to the scene, then one who’s in charge of genius-tracking. Hopefully, Faction will work these problem spots out soon. C

Madame Xanadu #7: Good art. Good story, but beyond that, I can’t think of anything to say to recommend (or condemn) this story arc. It’s competently done and full of plot, but that’s about it. C+

Superman #683: I so desperately want someone to take Alura over their knee and spank the bejeezus out of her, I’m thinking of baking a red velvet bundt cake with a strawberry glaze and calling it “Alura Over Someone’s Knee Cake”. After that, I’m going to bake two cupcakes and call them “Kal-El Needs to STFU and Step up to the Plate” (white with a jelly center) and “Kara is Still Krazy” (pork-flavored). At least the JLA knows which side they’re on and are willing to make a stand for justice. I get that Kal and Kara are conflicted, but they’ve got to see that Alura was beyond negotiating three or four issues ago before she went all Idi Amin. This isn’t an attack on their characters, but a question as to why this hasn’t come to a head sooner. Nevertheless, this is the chapter I’ve been waiting for – action galore! A

Buffy the Vampire Slayer: Season Eight #21: “Bored now.” D

Kick-Ass #5: After taking its good sweet time coming out, the latest issue of Kick-Ass was well worth the wait. Millar’s wheels are finally out of the mud and rolling down the highway at least 15 MPH over the speed limit. Normally I complain about Millar’s inability to maintain the flow of his stories – they’re too slow, too loud, too full of Millar, what have you – but this time around he manages to balance the action with his characters’ development. Kick-Ass and Red Mist driving around Dodge “on patrol” is a spot-on budding bromance scene out of a summer blockbuster (no doubt the reason it was written this way) cemented by their then answering a desperate call for help. A guilty pleasure even now, Kick-Ass makes my dog bark. A

François Peneaud of The Gay Comics List and Brother to Dragons gave Frater Mine #6 and 7 a great review on his site. Click on the image to embiggenate:

My recent perseveration is getting the word about my comic out more, but I want to avoid the “user” (pushing myself at the expense of others) and “abuser” (flooding people with updates) models of self-promotion. There has to be a third option, but I have no idea what it is. I do know, however, it will involved a new website design.

Getting ready for the holiday took me away from reviewing comics for a few weeks, so to catch up, here are my encapsulated opinions. Feel free to email me for deatils.

X-Infernus #1: Strong start with diabolical subplots. I’m hoping this leads to a reincarnation of The New Mutants. A

Dark Reign #1: Oh noes! Another event!! In its favor, however, is its short run (three months according to the checklist). Working against it is that it’s another event.

Secret Six #4: Simone’s idiom of gelling disparate elements borders on vaudeville at times, but it continues to intrigue. A-

Action Comics #872: “New Krypton” continues by adding more useless characters to the board (“Creature Commandos”? Really?) while finally touching the main conflict. B-

Final Crisis Revelation #4: DC’s treatise on the Nature of God is one of the most disconcerting comic read of the year. Loves it. A+

Final Crisis #5: DC’s Millennium + 20 years = Final Crisis #5.

Supergirl #36: The penultimate chapter of “New Krypton” finds Alura being a horrible mother and a krytpo-centered, myopic slattern. I wish this had actually happened back in chapter 3. A

Manhunter #37: While I normally don’t like “X years later” jumps in plots (the atrocious A.I. still haunts me), Andreyko’s jump gives me a sense of continuity that will extend beyond the last (next) issue. A+

Hellblazer #250: Old-fashioned holiday fun the way they used to do it in Hell. A

Wonder Woman #27: Gail Simone loves these characters as demonstrated by the rich textures and motivations and interactions she gives them. Her Genocide scares me way more than her Junior. A

Buffy the Vampire Slayer: Season Eight #20: Cool idea, but after the pointless “Return of Fray” storyline, do we really need another break from the Big Bad’s arc? My magic eight ball says, “Definitely not.” C+

Runaways #5: I’m starting to find the “the best way to end a conflict is to just end it” idiom to be a fun one. It let’s the story move on to more interesting problems. Other than that, not much happens. B

Thor #12: Loki continues to rise as my favorite transsexual villain as he and Hela make plans to rule everything. A+

X-Men NOIR #1: Ugh. They did it better on Smallville’s “Noir” episode (and that sucked eggs).

Ultimatum #2: It seems the Wasp can’t get a dignified death in any universe A-

WARNING! Spoilers ahead!

Comics Should be Good! has a month of LGBTQ comics that are “must read”. Check them out here! Megan Rose Gedris, who is a talented and sweet young woman-who-loves-women, made the list and I’m thrilled for her. She makes good comics. Congratulations, Megan!

Superman #681: Part two of “New Krypton” sees Lex Luthor’s worst nightmare come true – Earth inhabited by out-of-control aliens. Not that the Kryptonians are wreaking havok everywhere they go (the dead blue whale aside), but with an overly defensive and smarmy-looking Thara Ak-Var and an alien-killing super-being thrown into the mix, it’s only a matter of time before cities start to fall. I hope. Obviously, the 100,000 Kryptonians are going to stay around Earth because they would nullify the need for any other superhero title again ever. However, the method and motive of their departure are still to be told. The best scene of the entire issue is between Martha Kent and the one member of the Superman Family who knows where he’s needed the most. Good boy! A

Madame Xanadu #5: If I had one criticism of this book, it would be that the centuries are slipping by way too fast. Matt Wagner doesn’t have to hit all the major events from 1000 A.D. to the present, but maybe a brief layover in the Renaissance would have been nice. A visit with Nostradamus perhaps. The “discovery” of America and subsequent slaughter of the American Indians would have topped my list of events for Miss X to run to. This is not to say that the French Revolution isn’t high on drama and intrigue; it is. I’m just saying there could have been a few more stops between there and here. B

1985 #6: I read this in the store because I had to see how it ended, and… really? “Everybody go home!”? That was the only logical conclusion to this story Mark Millar could come up with? It was so sad I wanted to pat it on the head and help it find it’s mommy because it was obviously lost. Alas, poor highly-anticipated mini-series, we hardly knew ye. F

Thor #11: When Captain America died last year, I found myself not caring too much. Not because I didn’t like Cap, but because his death was the latest in a series of ploys to shock and awe Marvel readers. And in the final analysis, it didn’t seem that anyone in the Marvel U cared. At all. Until this month. Don and Thor’s goodbyes to Captain America seem to be JMS’s none-to-veiled commentary on the state of American politics – where the speculation of what a hero would do overshadows the good s/he accomplished. When “who would Captain America vote for?” (terribly paralleling the “Jesus wants you to vote for McCain” screeds of late) is the best memorial people can create, it’s heartening to see that at least Thor remembers how to honor a friend and hero. A+

Thor: The Truth of History: Can anything done by Alan Davis be bad? Never (even if his Thor doesn’t like the Egyptians very much.)! A

Runaways #3: “If there’s one thing I can’t stand, it’s intolerance.” Recent Log Cabin Republicans whining aside, there is something to be said about not tolerating intolerance, especially the kind that leads to violence or the demonization of “the other”. Even Brecht knew this. “Intolerant” is a nice way of saying “s/he’s an ignorant motherfucker”. I suppose that if people wallowed in their ignorance and left everyone else out, it would be OK, but for whatever reason, they never do. Like Typhoid Mary, they spread ignorance and fear and anger. That was what I got out of this issue. A

Final Crisis #4: FINALLY!!!! The main FC book isn’t bogged down by its own cleverness hits its stride. It still saddens me that most of the other DC books refuse to acknowledge any of this is even going on (even if it is just two weeks in the future), because according to the Flash, the whole multiverse is teetering on the brink of the Abyss. And *sigh* wasn’t Barry’s kissing Iris just about the best thing to happen in comics in years? It’s still unclear to me who Turpin met at the Dark Side Club in issue #1 if he’s being infested by Darkseid in this issue, but I am clear that he’s now two hard-nosed bad-asses in one. A+

New Krypton: I have a feeling this is going to be messy by the end, mostly because Superman is a dick in this issue. I know there’s superdickery.com which exploits the older pre-”Boy Scout” days of Supes, but really, there is no excuse for him throwing his human parents and Earth under the bus just so the Kryptonians don’t get their red undies in a twist (I jest, of course; their undies come in all sorts of colors, not just red). First, he gives props to Jor-El and his tape-recorded civics lessons for helping him to turn out the way he is today, side-stepping the fact that it was really the recently departed Jonathan Kent who did that. Whu…? Worse, the juxaposition of Zor, Alura, Kara and Kal having “the first El family dinner in ages” while Ma Kent eats funeral leftovers alone back on the farm is a foreboding foreshadowing if ever I saw one. If Superman knew nothing else about Kryptonian culture, he should at least know it was their arrogance that got them blowed up in the first place. How he thinks a few years in a bottle mellowed them out is beyond me, and why he didn’t take umbrage with the whale-killing Kryptonian… well, this event has “spare the rod and spoil the child” written all over it. Still, the writing is tense and I’m going to follow this story across every issue. A

Wonder Woman #25: It seems that even in Gail Simone’s world a Wonder Woman movie is not meant to be. However, unlike the comic movie which “lacks a proper second act” (my favorite line of the whole book), the conclusion to this arc is proper and exciting every step of the way. No one can balance all out action with beautiful little human moments like Gail Simone can. A+

Superman #680: “Happy.” A+

Secret Six #2: I’m just flat-out embarrassed for Catman. God love Gail Simone for trying to give him a sense of dignity, but he’s Catman, a rip-off of Batman so painfully obvious that he resists pride. I’ll give her this: she didn’t retcon him into a cool costume or a better origin, as is the DC way of late. However, she left him with the impression that he’s Batman’s arch-nemesis. Those other guys, “petty little psychos who [Batman has] made into celebrities”. Catman goes so far as to say “One day, we’re going to kill each other, aren’t we?” But I think it’s this level of self-delusion that I like about Catman; the same way I like the damage of the rest of the Secret Six. They’re badasses, but they’re also completely fucked up. A+

Legion of Three Worlds #2: OOOOoooh that Superboy-Prime is in dire need of that spanking I spoke about last issue. Lightning Lad agrees with me, as do most of the 31st centurians; Superman is the only hold out for a happy morally high-grounded ending. I honestly have no idea which way Geoff Johns will go by the end. I’d hate to see another “death in the DC”, but an “I love you, Willow” probably won’t eke out the requisite cleansing rehabilitative tears. Funniest moment: the bickering Brainiac 5 triplets. A+

Final Crisis: Revelations #3: Revelations ties with Legion of Three Worlds for the strongest titles of the whole Final Crisis extravaganza. I wasn’t impressed at first, but now I can’t believe the ideas that are coming up, particularly the idea that God has abandoned His creation and left it in the hands of Evil at the end of the world. I imagine for people who see 2008 as the threshold for the Last Days, that God has indeed abandoned them. Every day, I read about how Christians feel under attack from the liberal media, Islamic extremists and teh homosexual agenda. Poor things. I prefer to think that maybe we’ve outgrown that God and are moving to a place where Justice and Mercy don’t have to flow directly from Him, but stem from each of us individually. At least I hope so. Anyway, that was what I got out of this issue. A+

Runaways #2: There is a lot going on in this book for it being two issues old – an alien attack, a job for Chase, an alleged suicide attempt, new digs. It seems Terry Moore is setting up stories for the next three years, which I wouldn’t mind if it means he’s sticking around for that long. I love his Nico. I’m not sure how it does it, but her face is more cartoony that everyone else’s yet, she doesn’t stick out like Roger Rabbit. Xavin is like the clown fish of Runaways . S/he isn’t funny-ha-ha, but she can switch genders as the situation needs. This issue sees her (typically) masculine side coming out to threaten Karolina’s Majesdane attackers. But something was not sitting right with Karolina in terms of Xavin. I didn’t finish Whedon’s Runaways, though I’m not sure Whedon finished Whedon’s Runaways, so it’s possible something damaged their relationship or maybe Karolina mistrusts Xavin’s clown fishiness. Whatever the reason, it was a moment of sadness in the book. A-

Astonishing X-Men #27: Given what Warren Ellis was doing last month with The Boys, I feel this month’s X-Men to be a bit of a trap. Maybe Ellis is starting to fall into the groove of the Whedon legacy, but this is the guy who brought us Planetary and Transmetropolitan and Desolation Jones and I doubt he’s suddenly learned how to be cute. Not that he isn’t talented enough to find the cute voices in him, but he’s getting into Buffy levels of banter here. Frightening. I also think he and Brubaker are in a competition to up the ante for how sexually charged each issue can be. This month’s round goes to Ellis because bestiality (or “xenophiliac experimentation” as Agent brand puts it) always wins. My theory on this is that he has a deal with Grant Morrison to write comics that are too accessible and too inaccessible respectively and see how far their fans go to defend their writing as “cutting edge” and “metatextual” and “brilliant”. Honestly, I can explain this issue any other way. B+

Uncanny X-Men #503: The X-Men are led a merry chase through downtown San Francisco by Empath, the most evil (if not the most flimsy) of all the late Hellions. If i didn’t hate this guy before, I do now, especially since he struck a low blow to Sam Guthrie (“Dead baby brother!”), who holds a special place in my heart as showing the first naked (male) New Mutant butt during my mid-adolescence. Action aside, Scott Summers honestly needs therapy. I mean, deep-down monstrously invasive therapy. Brubaker’s entry in his competition with Ellis has Emma in Scott’s brain playing Dungeon Mistress when they’re supposed to be doing reconnaissance and he doesn’t realize it’s not really Emma!. What the…? Did Luke and Laura ever go through shit like this? No. And they live in a soap opera. And, finally, I get what Brubaker is doing with his heroic bio-captioning, something I wasn’t all that enamored of because it was too clever by half UNTIL Pixie stabs Empath right through the thought-maker and her caption says “Megan Gwynn. Pixie. X-Man.” Then I got it, and now I love Pixie. She’s not Kitty Pryde, but she’s an armed and dangerous woman. A

Manhunter #35: FINALLY we have a smackdown worth the name, but what else can one expect from an issue with a bloodied Kate beckoning her enemies forward with a “Bring it.” on the cover? Again, it’s my thing for armed women who aren’t afraid to fire the first shot that draws me back to Manhunter every month. And I never blame Kate or make her out to be a psychopathic monster like.. well, like people say Batman is (though I still don’t see it). A+

Superman/Batman #52: And in this issue we find everything that’s wrong with the DC Universe writ small. All the fun and whimsy and exuberance in the storytelling was sucked out the window when things had to get “real” (read: “somebody had to die”). And what was the point? To teach Li’l Batman that true darkness doesn’t come from seeing one’s parents get pushed? To finally kill Superman in a permanent way that wouldn’t ruin DC’s economic base? To show that the writers are pinheads who toe the DC line? To finally kill comic books? Jesus. F-

Madame Xanadu #4: Once again, Nimue gets cooter-punched by a man she respects/admires/has the humpies for. Twice in this issue alone! I can see that Matt is taking his time in making this adorable (if not incredibly ancient) waif the cold spinstress we all know and love in the present. It’s a pleasure to watch a craftsman who really enjoys his work. A+

The Boys #23: Garth Ennis hates everyone. He hates superheroes. He hates the government. He hates capitalists. He hates his characters. He really hates Marvel. He hates cute. You know what he loves? Garth Ennis. B+

Jesus Hates Zombies with Lincoln Hates Werewolves #1: Iconoclasm rocks. And I think that Jesus would have less problems with this comic than shit like this which justifies shit like this because they’re straight and “forgiven” in His name. Forever and ever. Amen. Allegedly. Dare I say Jesus Hates Zombies is delightful? A laugh a page (maybe more)? Destined for greatness? I dare. Because it is all that (as was written by the prophets of old in “The First Book of Opinions”). ‘Lo! A+

And who knew under all those woolen undergarments that Lincoln was so HAWT (as Michael Bracco portrays him):

Uncanny X-Men #502: So, Hank McCoy is finally coming out of the closet, eh? If I walked away from this issue with one impression, it’s that Hank has either gone camp or he’s gone Butch Camp. Can anyone else smell the poppers? If I were permitted a second impression, it would be that Scott and Emma need therapy. What’s revealed about Emma in the story is nothing new, but it’s an aspect of her that seems to have been pushed aside to make her and Scott seem more… compatible. Otherwise, this is a fast-paced, fun issue that still under-utilizes the unwieldy cast despite the “family” moments peppered throughout. I can’t totally blame Brubaker, but that’ll change in a month or so. A

War Heroes #2: I think I’ve figured out Mark Millar – he’s the Anne Coulter of comics: strident voice and a talent for upsetting people (if I had to guess I’d say that “people” = “bleeding heart liberals” (whatever that means)) with his childish homophobia and creative violence. However, if one were to turn the volume down a bit – and with Millar the volume is ALWAYS!! SET!! AT!! TWELVE!! – one would find that he isn’t saying very much in terms of his characters or stories. He spends his energy trying to be “more” than he was the previous issue: more shocking, more violent, more offensive, more… well, “loud”. Don’t get me wrong, he’s apt at loud, but as a reader I’m growing a bit weary of it. I’d say he should add in scenes that back off of the intensity, but one has only to look at his painfully subdued work on 1985 – where every scene lacks impact and importance – to see how well that works out. I enjoyed this issue of War Heroes, but like Secret Invasion I’m not sure how much higher the stakes can get as they’re pretty high already. Maybe Millar will surprise me in the final analysis. B-

Wonder Woman #24: The greatest moment in this issue was Diana admitting to Tom that she doesn’t experience his touch the way that he experiences hers. This isn’t an existential statement, it’s a practical statement that I’m surprised no one has considered before. To say nothing of the lifestyle superheroes lead, some, like Diana, are almost invulnerable. What does holding hands with a beloved someone mean to them beyond a symbolic gesture of intimacy? Gail Simone’s talent for characterization and the impact of tiny moments on a story shine here. A+

Secret Invasion #6: I hear issue 8 will close this baby with a shock no one will see coming. Especially me, since I stopped reading as of this issue. F

Final Crisis: Revelations #2: For a comic universe that boasts a wide-ranging pantheon of gods, DC is certainly going Biblical on its readers (which makes sense for a comic titled “Revelations”). The rarely-seen-yet-often-referenced Judeo-Christian God places Herzims more popular props – God’s Vengeance, God’s Mercy, the Spear of Destiny and Cain – on the playing field to get… what? A story of epic scope told on street level, it’s a grand read, but how this will reach across the entire DCU is still a question I can’t answer. Unless… what if the world ended across every DC title? Like they all blinked in the same issue and then in the next all was balanced again. Grant Morrison is certainly bold enough to do this, and the DC editors have shown how good they are at handing down sweeping decrees, so, why not? I’m starting to believe that the lack of “the sky is falling” attitude, prevalent in all DC books during Crisis on Infinite Earths, is purposeful. If no one is expecting the world to end, how much more surprising it will be. A

Stephen King’s The Stand #1: The Stand is the very best in post-apocalyptic literature for me. It encompasses a bit more of the fantastic than Earth Abides or Alas, Babylon, but unlike those rather clunky tomes, King’s vision of the world ending by disease weighed on me for weeks after I was done reading. The beautiful artwork of Marvel’s adaptation alone is worth the price of the issue, but I begged off on starting this series because it’s only five issues long which in my opinion is just not enough space to cover the vastness of the original novel. Let’s call this “The Neverwhere Syndrome”. B-

In more bizarre news, has anyone seen Rob Liefeld’s Godyssey?

Seattle’s The Stranger has one of the best movie reviews I’ve read in my life, ostensibly written by Diane Keaton. I have no idea if this is her work or not, but I can totally see her saying this (she’s a wild woman!):

What’s up, bitches? Diane Keaton here. I just got back from seeing The Women and, um, I couldn’t help but notice something: I AM NOT IN THIS MOVIE. Where the fuck am I? I am the queen bee of this shit. The hive mother. Annette Bening wishes she could smile through her tears like Diane Keaton! You know the Meg Ryan character? The one who spent her whole life trying to be everything to everybody but somehow somebody is always disappointed? That’s like if my entire oeuvre mated with itself and gave birth to a mega-me. I’m sure you remember when Meg Ryan says, “Wouldn’t it be great if when you were born, they gave you a rule book?” I am, like, ALWAYS saying that! I should have mailed that shit to myself. Then there’s the Jada Pinkett Smith lesbian (“If we’re lost, we both ask for directions”). I could SO play that character. I invented lesbians. Look it up. And the little girl who makes a tiny bonfire of tampons because she’s just not ready to become a woman? Did you even THINK of casting Diane Keaton in that role? No? Big. Fucking. Mistake. I can play young. Hey, Hollywood. Write this down. Next time you make a two-hour vaginal suppository that hasn’t met a feminine cliché it didn’t dip in chocolate and shove down America’s gullet (smoking, shopping, cheating, faked orgasms, diets, supermodels, bubble baths, hunger, water breaking, Botox), maybe you should do your job and fucking call Diane Keaton. Bitches.

–via JoeMyGod

Superman/Batman #51: The Li’l Leaguers made my weekend. I haven’t picked up Superman/Batman since Killer Cousin Kara arrived in the book a few years ago (yes, I even missed the now-classic “Superman Gets High“), but after seeing it reviewed at Comic by Comic, I had to head back to my local comic shop and get a copy. Man, it’s all about the juxtaposition! I don’t who this guy Albuquerque is, but his ability to draw the adorable-but-outright-cartoony Junior League next to their muscly-but-human-looking adult counterparts and not cause a huh? in my brain impressed the dickens out of me. Even more than that though, Green and Johnson’s characterizations of Mini-Superman is dead on for his sunny (relatively speaking) disposition (everything is “AWESOME!!” and “COOL!!”), but their genius is in their Mini-Batman who is just Batman in a smaller body (“I’m the goshdarn Batman!”). Though the story drifts in the DCU unfettered by any ties to Trinity or Final Crisis or RIP etc. etc. etc., it’s infinitely more delightful than anything I’ve read in a while. A++

Manhunter #34: There is a LOT going on in this issue, not only in terms of action, but also the extensive cast list. If this were a lesser writer, I’d be concerned that the whole story would fall deep.. ok, deeper into soap opera territory – just look at the complicated (yet “brief”) family history as told by Grandpa Iron and Gramma Phantom Lady – but Marc Andreyko avoids the hysterics while keeping everyone’s lives messy. Spoiler alert, but the cover is completely misleading, and I should be more disappointed than I was, especially after last month’s cliffhanger had me drooling to see Kate and the Birds of Prey kick some Suicide ass. Each side got their licks in, but it wasn’t the slugfest I was hoping for. Still, I came away satisfied with the outcome. With all the brouhaha over Northstar being a celibate eunuch (not redundant; see “Farinelli”) over at Marvel, it’s nice to see Todd (Obsidian finally out on parole from whatever it was he was doing in JSA) and Damon share a little sugar. Of course, we’ve seen them kiss before and have a post-coital moment in bed, so… yeah, this round to DC in the “Gayer than Thou” wars. A+

X-Men: Return of Magik #1: Strange déjà vu because I know I’ve seen these stories before. Any original material of my favorite mutant demon sorceress on the way? No grade.

Buffy the Vampire Slayer: Season Eight #18: I’m going to retract 60% of the contempt I had for Joss Whedon’s re-using Dark Willow (as telegraphed from orbit revealed last issue) and say that it lends sufficient pathos to the plot built up around her and the future of the Slayer race (i.e., there is none) to keep me onboard. Still, there’s a lack of focus on the sub-plots – what happened to the Slayers after the castle went BOOM, what is Twilight and how bad are they are chiefly blurry – and adding treants to the mix didn’t clear up the haze. Other than that, the issue really belongs to Xander and Dawn (PLEASE don’t let them get together!!!) and Kennedy for schtupping Willow while voluntarily possessed. B-

The Boys #22: The dénouement of “I Tell You No Lie, GI” doesn’t tell us anything new about the supes or their role in the world, but with the revelation that Wee Hughie is dating an auxiliary Seven member trouble can been seen rising like the sun in the East. And poor Annie. When she blinded A-Train, half on top of her, pants all the way down, I should have cheered the way I cheer for Scully when she draws her gun on the Freak-of-the-Week, but I felt more like she is getting what she deserves for not walking away from the whole mess. I’ll have to read the back issues to find out what’s keeping her there (unless someone can email the info and save me a lot of money). For as strident as people are about Kick Ass’s childish homophobia and cartoonish violence (which, God help me, I enjoy reading), I find The Boys far more troublesome. A-

Secret Six #1: I want to have Gail Simone’s ability to jump into a story head-first, free-style through her characters and kick like mad through sub-plots. (Yes, this is a Michael Phelps-inspired hook. Why?) I don’t even like these people, but her villain-in-a-box and compassionless anti-heroes aren’t really too far off from the actual heroes of the DCU in terms of their heroiclessness. Plus, Catman is hot and needs to be naked more. A+

Runaways #1: When I last read this title, the kids were stuck in the 1800’s with someone’s out-of-time-and-still-alive parents-of-the-past out to get them and a sparkly, floaty Jezebel out to ruin the cute lesbianish couple and I didn’t care. REALLY didn’t care. I’m not certain that Joss Whedon finished that arc or that Marvel even wanted to, which is a sadness because I liked those kids (and their baby raptor, too). This week, however, sadness becomes gladness as the reliable-as-Tonto Terry Moore’s first issue on ultra-hip writing duties hits the stands. The kids are back on Earth, but aliens who have lost heir homeworld (we know this because it’s said about 12 times on the first two pages) are looking for a little remuneration all over Karolina’s butt. Moore keeps the dialogue and pace snappy and Humberto Ramos keeps the kids in chunky boots and enviable waists. I’m sold. A-

Madame Xanadu #3: At the risk of Rachel Ray Face-ing this title, I have to say I look forward to it every month more than any other title out there. Yeah, it’s only a few issues in, but Matt Wagner’s grasp on the fantastic and magickal has always been second only to Neil Gaiman… ok, and Rachel Pollack, which makes him third in line if I’m going to keep track of the numbers. But unlike Neil and Rachel who keep their magic more mythological and messianic than immoderate, Matt’s magic makes marks in the mundane. Amy Reeder Hadley’s art lends more credence to the every day magical with her clean lines and wide-eyed and elfin Nimue. Set in China 400 years after issue 2, Nimue is the court seer for Kublai Khan, foretelling the beginning of a beautiful friendship between Khan and the young Marco Polo. Then stuff goes wrong. And right. And wrong again. My great hope for this book is that one day there will be a smackdown between Nimue and Morgan le Fey in a future issue. That, and the return of Ericankhamun. A+

Kick-Ass #4: And my students say I’m a tough grader, when here I am about to hand out another A+. I have this vision of Mark Millar and JRJR on Skype for hours at a time, howling with laughter as they come up with more and more vile things for children to say and ways to cut a human body so it can bleed most profusely. Then I hear someone (probably Millar) say, “We’re going to fucking end civilization, man! Those pussies at South Park never dreamed of going this far! It’ll be kids versus parents! Murder in the marketplace! The. End. Of. EVERYTHING! God! And they PAY us to do it to them, man! They fucking pay us to be the fucking Devil!” Take my vision as you will, but I’m pretty sure that’s how this issue came about. In spite of this, I still enjoy this book. It’s not a gleeful joy, but a Very Bad Things schadenfreude. A+

Final Crisis: Superman Beyond: Read. Left. F

Final Crisis: Legion of Three Worlds #1: This this this THIS is how one hosts a Crisis. While I thought that his Revelations wasn’t all that revelatory, Geoff Johns’ first issue of Legion of Three Worlds has convinced me to believe that he knows what he’s doing and ride both titles all the way through. Yes, I’ll say it now: Legion of Three Worlds was perhaps the best mainstream comic I’ve read all year. Perez’s art was Perez’s art (is it ever bad? No.). And as someone who hasn’t followed the exploits of the Legion of Superheroes since Mordru was defeated in some kind of puppy pile-on back in the 70’s, I picked up on the plot almost immediately and was pulled along by the action. My only problem: what the hell is Superman doing here? Yeahyeah, it’s not the Legion without Superman, but isn’t he busy with five or six other titles (two of which have him on Crisis-duty elsewhere in the Universe)? This is more of an editorial issue than a writing issue in the final analysis, but that doesn’t make it less annoying. Still, I’m hooked. I’ll be here to see (from my keyboard to god’s ears) Superboy-Prime spanked hard at some point during this saga. Really. Redemption or no, someone better make this kid cry by the end. A+

Uncanny X-Men #501: Maybe riding the high from Legion of Three Worlds made me enjoy this issue more than I should have, but… I’m going to retract everything I said about X-Men based on reading #500. To be sure, #500 sucked (LORD, did it suck!), but #501 pulled itself out of the suckage and got me feeling all joyous and sad and angry and vengeful for the ‘tants (I’m trying out a new nickname for my favorite homo-superiors to counter the “Mutie scum” hate-cry of the new Hellfire Cult). And was that Jean Grey all decked out as Mistress of Humiliation? Maybe we’re seeing a preview of the next Millar/Land title – Phoenix: The Domination? A

1985 #4: Picked it up. Scanned it. Put it back. F

Final Crisis Revelations #1: There’s a scene in the painfully awkward and unexpectedly popular show Charmed wherein the demon Drake (acted with more zest and believability than anyone else on the show in the entire eight years of its tortured run by Billy Zane) is asked by the anemically acted Paige, “Okay, and how exactly did that (before demon, now human) happen?” to which he replies, “Personally, I hate exposition, but if… All right.” Me, too; I hate exposition. However, having said that, I don’t mind being clued in every once in a while as to what the hell is going on in a story. Libra is stronger than God’s Vengeance? The Question is stronger than The Spear of Destiny (I’m assuming that’s what it was)? And the only satisfactory way that the rabidly evil Dr. Light could be taken out was to be melted by The Spectre? Out of public view? How anti-climactic. There’s a bit of false advertising in the title of this book because not much is revealed, but there’s four issues left, so we’ll see. And though it offers no clues as to the plot, Final Crisis Counseling’s annotation of Final Crisis will draw gooey orgasmic gasps from literature folks. Maybe a reader there will put it all together for us. C+

Wonder Woman #23: Not my favorite arc in Gail Simone’s WW run so far, but it ended… well, it ended. I loved how formal Donna got with Nemesis swearing on her beating heart to be his galpal, his shoulder to cry on and that she’ll be there on his doorstep with a barrel of Ben and Jerry’s when he’s had a hard day of sanctioning people. I think she swore to braid his hair, too. Really, the whole issue was about Nemesis and making him look good. B

Helen Killer #4: I’ve been a fan of this series since before it came out, and now that it’s over, I’m glad it’s not going to overstay its welcome. Not to say I don’t want to see other (short) stories every now and again, but Helen Killer ended on a high note and that note should be allowed to sound out for a while. And I’m not saying this just because I was quoted on the back cover (second only to Stan Lee, thank you very much). Though Helen Killer is over, Andrew Kreisberg will be taking over writing duties for Green Arrow/Black Canary with issue #15. I’ve never read the title, but I will peek at it now. A+

Astonishing X-Men #25: I will say this for Simone Bianchi, he (he is a he, right?) is a risk-taker when it comes to laying out a page. He also loves his spacecrafts. Truth be told I love his spacecrafts. What I don’t like are his ink washes and his portrayal of Storm. How he can make salvaged UFOs float like hot-air balloons, but make her look like a rice sack in flight is a question I can’t answer. Warren Ellis deepens the mystery of the previous issue while ignoring Uncanny X-Men’s ignoring his work. Still, I remain unconvinced that I’ll be keeping this title for more than another month or two. I like the premise, it’s just not a fun read. B

Secret Invasion #5: I swore I wasn’t going to pick up this issue, but when I glanced at it in the store, it looked like the plot was moving forward, so I bought it (I seem to have forswearn myself more than once recently). And, to Bendis’ credit, it did. To Bendis’ detriment, it’s still issue 5 and I’ve waited this long to see that the Skrulls have become intergalactic Republicans who want to save us from ourselves (allegedly). Not conquerors. They’re on our side. Really. They know what’s best for us. Cuz… uhm, yeah, they have an empire. HUGE empire. Right? Right. Oh, and *single tear* for Mockingbird. C+

In geek news, check out the cute old school AD&D alignments poster, but that’s all. Don’t read the rest of the site:





In non-comics-related news, four men claim to have a Bigfoot corpse in their freezer. Skeptics going on photographic evidence only, pooh pooh the claim. I’d like to believe this, but one of the four’s brother-in-law posed as a biologist to support their claims. When discovered, they claimed it was only a joke, but despite that, the Bigfoot corpse is real.

Worth1000.com is having a “Photoshop an AD&D Monster” contest. My bother is going to enter a… ha ha ha. That’s a secret for now. When his entry is accepted, I’ll post the link here for voting purposes.

Manhunter #33: *single tear* There’s no Blue Beetle in this issue (from all appearances, he was drafted into Final Crisis #3 to do.. whatever it is that’s going on in that book), but there are still guest-appearances galore, and hints of a major ass-kicking next issue by some of my favorite DC ladies. Kate hasn’t done anything of questionable morality lately, and I’m wondering if she’s lost her edge being a family woman now. Nah. Still, Kate needs some ethical dilemma to cut her way through. And soon! A-

Final Crisis #3 Since this series began I was under the impression that it was going to touch all the titles of the DCU, but I’ve recently been told otherwise. This confuses me because I know that Morrison is a great writer who doesn’t go in for half-told tales, yet Final Crisis continues to give only glimpses into the full story of the “War of the Fourth World” (as I see it shaping up to be) while wasting time on sub-plots and characters who ultimately don’t do anything. Again, maybe “don’t do anything yet,” but still, the waiting is getting painful. I don’t love FC, but I’m not ready to drop it either. The regeneration of the Forever People as Japanese pop heroes is a funny sub-plot and I’m always wanting news of my grrlfriend Mary Marvel. Morrison once gave 6 billion people super-powers to stop an alien invasion, so what will he do this time to save the world? B

Buffy the Vampire Slayer: Season Eight #17: Really, Joss? Dark Willow? Again? 200 years in the future and dressed like Mary Shelly? Really, Joss? C

The Boys #21: I should have collected this series from issue one, but a review by someone whose opinion I respect overrode my curiosity, and didn’t think that the series was worth a look. Eventually, my scholarly nature overrode my repulsion and I took a look. I can’t disagree with many things that have been said about The Boys: it’s depraved, sexist, decadent, self-indulgent, tawdry and 1,000 other denigrating adjectives that add up to one of the edgiest reads since The Walking Dead. Being a completist, I’m definitely going to find the back issues and enjoy the horror. A+

Marry Me: I’m not a big fan of Amerimanga (or whatever the kids call it these days) – American artists borrowing manga styles stroke-for-stroke – because it’s so… stylishless, like a dress made of beautiful fabric held together with staples. Still, Marry Me is a cute and breakneck-paced romantic comedy that will be made into a November-release movie within the next year, no doubt. B+

Myth #1: Ah, yes, PORN! Mystech porn! Mystech gay porn stacked full of semi- to fully-naked men all of whom are hung like the tentacles from that squid in 20,000 Leagues Under the Sea. Talk about not seeing the forest for the trees, I have no idea what happened in the story, but it seemed hot. Really, where do guys like that hang out and can I get a membership? Oh! Accidental pun! B+

Why Do You Cry When I’m on Top?: Funny shit even if it’s all absurd potty humor pushed past good taste but without entering crass. B

In the news, Jeff Trexler of uncivilsociety.org has posted an enlightening article about the early creative history of Superman entitled “Lois Lane’s Abortion and the Gay Superman”. A deeper look at these documents is in Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book, which I highly recommend.

As we turn to our video video features for the week, I’m going to note again that I’m not a big believer in permanently linking to YouTube as they appear and disappear so frequently. I’d honestly rather have my own copy to distribute, but that’s not always possible. Therefore, I offer up these transitory morsels. First, The Muppets’ Beaker performing Ode to Joy:





Then, the never-before-seen-now-virally-seen pilot of the Buffy the Vampire Slayer Animated Series:




And finally, I cannot believe that Bill Donohue hasn’t had a rage-induced stroke over the soon-to-be-released Hamlet 2 and its musical interlude, “Rock Me, Sexy Jesus”:

Fantastic Four: True Story #1: According to this month’s solicitations, one should expect that





which is so frenetic of language it couldn’t be outdone. Right? Oh, so very wrong. Scroll a little further down the page and one finds:





They come on a little strong, don’t they? While I can’t speak to the content of True Believers, I can for True Story. Was the title oversold? The package more delightful than the present? Most definitely. The idea is a good one (in a Gaiman-after-an-all-night-bender kind of way), but the execution of the characters by Cornell (Reed saying that reading Sue’s word balloon was “cool”? Unlikely.) and the uneven artwork of Domingues (it got better by the end, except for Sue’s hair) has a lark-y quality that doesn’t fly very gracefully nor very far before falling to Earth. D+ (Werd to Joveth for the solicitation info.)

Thor #10: I said I wasn’t going to pick up this issue, but with the opening pages set in Kansas (the part of the MJS’s plot I’ve found to be most winning), I forewent my resolution and was thrilled to find the plot was not as same same same as I had thought it would become. Loki, no longer the “god of lies” (and per se, no longer a god), is now a messenger of truth, but as any bridesmaid confronted by the question “Do you like the dress I picked out for you?” knows, the truth can hurt. A

Justice Society of America Annual #1: I don’t typically follow the JSA, but with all the anticipation surrounding this issue and what it means for Final Crisis (if anything) and Power Girl (a lot), I forked over my $3.99 and discovered a title I’ll be adding to my regular pull list. Dammit. My only fear is that there will never be a definitive answer to “Who is Power Girl?”, just an end to the story arc. Bonus: Helena Wayne as The Huntress. A

In other news:

Orson Scott Card calls gay marriage “the end of democracy in America”, but he’s not a homophobe (much like Dave Sim isn’t a misogynist). No, no. Paranoid science fiction writer living in a paranoid world? Yeah, I’ll buy that. AfterElton.com reacts.

Also from AfterElton.com, an editorial about the new X-Files movie. I haven’t seen it myself and before I comment I will be sure to. My only complaint (SPOILER ALERT!): no aliens!!!!

Finally, from Fanboys of the Universe via Joveth, a marvelous kiss:

First, waaaaaaaaaaaaaaaaaaaaaaaaaaah!

Right. Better now. On to the comics!

Madame Xanadu #2: Matt, you’ve restored my faith in your story-telling abilities. Don’t screw it up. A+

War Heroes #1: Have you ever ridden cross-country on a bus, surrounded by soldiers on holiday leave? I have, and, Deity love the troops, but I think half of them are insane or at least in desperate need of some reality therapy. Maybe some estrogen just to take the edge off. Seriously. I heard one guy give the most earnest account of how he had been stationed at Area 51, how it was all hush-hush and “every fucking thing you ever thought about that place is real, man!” at the top of his lungs. I’m not saying he was representative of the troops in general, just of the ones who take buses cross-country (how I wish he had been the only soldier of that kind I’ve met). Mark Millar seems to share my opinion. His war heroes are not noble nor are they caught in a situation of their control; they are in the war for the glory and the power. I fear Millar may be saying something about our broader culture – lionizing the troops and the war while we give up privacy and the safety of our children. The story is hardly nuanced, but it is intriguing. And condemning. A (it would have been an “A+” but Millar really needs to stop writing closing letters in his comics. He looks like a self-obsessed maniac.)

X-Men #500: Besides this being an historic moment for Marvel Comics, there had to be several reasons to publish this story. I’m guessing the primary reason was to completely undermine the premises Warren Ellis built in Astonishing X-Men #25, to say nothing of Simone’s designs. New place to live (and it’s GREEN. there’s lots of to do about how GREEN the new X-mansion is, to the point where Hank calls Logan “that awful little Canadian” for his non-GREEN, smog-loving ways). New costumes. New plot that has nothing to do with Ellis’ plot though the cast is exactly the same. And this “new plot” is depressingly old: Sentinels and Magneto? “Mutie” haters? Oh, dear. I know I’ve said 100 times before that I long for a return to the old days of comics, but I meant good writing, interesting stories, characters I can relate to, not actual old stories. Speaking of the Claremont Hole, Nightcrawler appeared out of nowhere! I know that’s his power, but he wasn’t shown as being a member of the team, in the SF area or even near the X-mansion, yet – BAMF! – he gets one word and one panel of face time, then falls back into the event singularity. Also, no less than three times did someone comment on the spectacular views of SF then completely fail to show us said views. It’s an anniversary issue: go crazy with the page count! And Greg Land, step away from the lightboard and take a drawing class. This kind of over-the-top reaction to the mayor of San Francisco’s stance on the First Amendment





is best left to posturing for an enemy who’s actually trying to kill the X-Men. F-

And a special “Thanks, rotten orange!” to Joveth for mentioning me and Frater Mine at the Prism Emerging Voices panel at Comic-Con. Shout outs are always welcome and very cool. Let me know when you do one and I’ll send you a McDonald’s gift certificate.